In the plastic curtain-lined space of Dara Wishingrad’s cancer ward set, Thom Weaver’s delicate lighting guides us in location and emotion (a posh suburban party, a child’s bedroom, the claustrophobia of a subway tunnel). Jay Wahl’s direction blends dark and light humor to modulate Margolin’s morbid musings. Her acting shifts easily from the presentational-style of a college professor to the righteous fury of the condemned. What she achieves defies the ordinary and transcends the mundane.
Posted on: Mon, 28 Apr 2014 13:52:25 +0000
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