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“For all our reliance on images, we never quite believe in their
“For all our reliance on images, we never quite believe in their revelations.” – Frances Guerin and Roger Hallas, The Image as Witness There c...

The Gulf is home to some of the worlds most controversial
The Gulf is home to some of the worlds most controversial settlements. Historically, urbanizing large areas and introducing a new aesthetic in archite...

Ibraaz Editor in Chief ANTHONY DOWNEY closes Platform 007 with the
Ibraaz Editor in Chief ANTHONY DOWNEY closes Platform 007 with the editorial round-up FUTURE IMPERFECT (Part II): Building Institutions Through Practi...

“Nobody should agree. If theres a piece of work that everyone
“Nobody should agree. If theres a piece of work that everyone agrees that its cool, then its not cool. If its not controversial enough, then there i...

‘They are here because you were there. There is an umbilical
‘They are here because you were there. There is an umbilical connection. There is no understanding Englishness without understanding its imperial an...

Images not only portray a recontextualised version of their
Images not only portray a recontextualised version of their original source, but tend to become iconic for a movement or ideology that is otherwise di...

TUESDAY TALKS at SOTHEBYS LONDON. AHMED MATAR in conversation
TUESDAY TALKS at SOTHEBYS LONDON. AHMED MATAR in conversation with LINA LAZAAR: Contemporary Photography and Hybrid Architecture. From 6pm – FREE...

GCCs first US show is a satire and critique of the language and
GCCs first US show is a satire and critique of the language and aesthetics of corporate governance. Their take on collectivity operates as an artistic...