[[488215404541395]] [[VictorGbengaAkinrinmade]] Who Doesn’t Know - TopicsExpress



          

[[488215404541395]] [[VictorGbengaAkinrinmade]] Who Doesn’t Know That Face? (Part 3)---> But Hazel Bryan Massery was curious, and reflective. Tuning in her primitive Philco with the rabbit ears her father had bought her, she heard the speeches of Dr. Martin Luther King Jr., and saw those black protesters getting hot coffee and ketchup poured on their heads at segregated lunch counters or being routed by fire hoses and German shepherds. Such scenes brought home to her the reality of racial hatred, and of her own small but conspicuous contribution to it. One day, she realized, her children would learn that that snarling girl in their history books was their mother. She realized she had an account to settle. Sometime in 1962 or 1963—no cameras recorded the scene, and she didn’t mark anything down—Hazel, sitting in the trailer in rural Little Rock in which she and her family now lived, picked up the Little Rock directory, and looked under “Eckford.” Then, without telling her husband or pastor or anyone else, she dialed the number. Between sobs, she told Elizabeth that she was that girl, and how sorry she was. Elizabeth was gracious. The conversation lasted a minute, if that. In the South, in the ’60s, how much more did a white girl and a black girl have to say to one another? Still, Hazel never stopped thinking about the picture and making amends for it. She severed what had been her ironclad ties to an intolerant church. She taught mothering skills to unmarried black women, and took underprivileged black teenagers on field trips. She frequented the black history section at the local Barnes & Noble, buying books by Cornel West and Shelby Steele and the companion volume to Eyes on the Prize. She’d argue with her mother on racial topics, defending relatives who’d intermarried. Secretly, Hazel always hoped some reporter would track her down and write about how she’d changed. But it didn’t happen on its own, and she did nothing to make it happen. Instead, again and again, there was the picture. Anniversary after anniversary, Martin Luther King Day after Martin Luther King Day, Black History Month after Black History Month, it just kept popping up. The world of race relations was changing, but to the world, she never did. Finally, on the 40th anniversary of Central’s desegregation in 1997, Will Counts returned to Little Rock and arranged for Elizabeth and Hazel to pose for him again. Hazel was thrilled, Elizabeth, curious. Their first meeting was predictably awkward, but the new picture, showing the two women smiling in front of Central, revealed only the barest hint of that. It all but took over the next day’s Arkansas Democrat-Gazette, and very nearly upstaged President Clinton’s speech the next day, in which he worked in a reference to them both. Soon, a poster-sized version of the picture was available: “Reconciliation,” it said. Everyone rejoiced; Thanks to Elizabeth and Hazel, Little Rock, maligned for 40 years, bathed in instant absolution. Then, quietly, Elizabeth and Hazel discovered something quite miraculous: They actually liked each other. For all their differences—Elizabeth was better-read, Hazel’s life far better-balanced—they shared a good deal. Both were introspective, skeptical, a bit isolated; neither fit in anywhere, including in their own families. They visited one another’s homes, took trips together, spoke to schools and civic groups. In the process, Hazel helped pull Elizabeth out of her shell, then to blossom. Unemployed, on mental health disability for years, Elizabeth soon returned to work, as a probation officer for a local judge. Two years after they’d first met, the pair even appeared on Oprah. Continues Tomorrow. [[VictorGbengaAkinrinmade]] [[488215404541395]]
Posted on: Mon, 23 Sep 2013 06:29:41 +0000

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