By Larry Chin December 28, 2014 ICH - GR - Almost all wars begin with false flag operations. The coming conflicts in North Korea and Russia are no exception. Mass public hysteria is being manufactured to justify aggression against Moscow and Pyongyang, in retaliation for acts attributed to the North Korean and Russian governments, but orchestrated and carried out by the CIA and the Pentagon. - The false flagging of North Korea: CIA weaponizes Hollywood The campaign of aggression against North Korea, from the hacking of Sony and the crescendo of noise over the film, The Interview, bears all the markings of a CIA false flag operation. The hacking and alleged threats to moviegoers has been blamed entirely on North Korea, without a shred of credible evidence beyond unsubstantiated accusations by the FBI. Pyongyang’s responsibility has not been proven. But it has already been officially endorsed, and publicly embraced as fact. The idea of “America under attack by North Korea” is a lie. The actual individuals of the mysterious group responsible for the hacking remain conveniently unidentified. A multitude of possibilities—Sony insiders, hackers-for-hire, generic Internet vandalism—have not been explored in earnest. The more plausible involvement of US spying agencies—the CIA, the NSA, etc. , their overwhelming technological capability and their peerless hacking and surveillance powers—remains studiously ignored. Who benefits? It is illogical for Pyongyang to have done it. Isolated, impoverished North Korea, which has wanted improved relations with the United States for years (to no avail), gains nothing by cyberattacking the United States with its relatively weak capabilities, and face the certainty of overwhelming cyber and military response. On the other hand, Washington benefits greatly from any action that leads to regime change in North Korea. But discussion about Pyongyang’s involvement—or lack of—risks missing the larger point. This project, from the creation of The Interview to the well-orchestrated international incident, has been guided by the CIA, the Pentagon, and the State Department from the start. It is propaganda. It is a weapon of psychological warfare. It is an especially perverted example of military-intelligence manipulation of popular culture for the purpose of war. There is nothing funny about any of it. The Interview was made with the direct and open involvement of CIA and Rand Corporation operatives for the express purpose of destabilizing North Korea. Star and co-director Seth Rogen has admitted that he worked “directly with people who work in the government as consultants, who I’m convinced are in the CIA”. Originally conceived to be a plot taking place in an “unnamed country”, Sony Pictures co-chairman Michael Lynton, who also sits on the board of the Rand Corporation, encouraged the film makers to make the movie overtly about murdering Kim Jong-Un. Bruce Bennett, the Rand Corporation’s North Korean specialist, also had an active role, expressing enthusiasm that the film would assist regime change and spark South Korean action against Pyongyang. Other government figures from the State Department, even operatives connected to Hillary Clinton, read the script. The infantile, imbecilic, tasteless, reckless idiots involved with The Interview, including the tasteless Rogen and co-director Evan Goldberg, worked with these military-intelligence thugs for months. “Hung out” with them. They do not seem to have had any problem being the political whores for these Langley death merchants. In fact, they had fun doing it. They seem not to give a damn, or even half a damn, that the CIA and the Pentagon have used them, and co-opted the film for an agenda far bigger than the stupid movie itself. All they seem to care about was that they are getting publicity, and more publicity, and got to make a stupid movie. Idiots. The CIA has now succeeded in setting off a wave of anti-North Korea war hysteria across America. Witness the ignorant squeals and cries from ignorant Americans about how “we can’t let North Korea blackmail us”, “we can’t let Kim take away our free speech”. Listen to the ridiculous debate over whether Sony has the “courage” to release the film to “stand up to the evil North Koreans” who would “blackmail America” and “violate the rights” of idiot filmgoers, who now see it as a “patriotic duty” to see the film. These mental midgets—their worldviews shaped by the CIA culture ministry with its endorsed pro-war entertainment, violent video games, and gung-ho shoot ‘em ups—are hopelessly brain-curdled, irretrievably lost. Nihilistic and soulless, as well as stupid, most Americans have no problem seeing Kim Jong-Un killed, on screen or in reality. This slice of ugly America is the CIA’s finest post-9/11 army: violent, hate-filled, easily manipulated, eager to obey sheeple who march to whatever drumbeat they set. And then there are the truly dumb, fools who are oblivious to most of reality, who would say “hey lighten up, it’s only a comedy” and “it’s only a movie”. Naïve, entitled, exceptionalist Americans think the business of the war—the murderous agenda they and their movie are helping the CIA carry out —is all just a game. The CIA’s business is death, and that there are actual assassination plans in the files of the CIA, targeting heads of state. Kim Jong-Un is undoubtedly on a real assassination list. This is no funny, either.
Posted on: Sun, 28 Dec 2014 18:26:22 +0000
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