Dear Bachophiles. We are nearly at the end of our survey of all of Bachs works. I have covered the entire BWV listings up to the Art of Fugue, which I will complete this evening. However, there are many pieces which have been wrongly attributed to Bach and/or of doubtful authorship, including the delightful Minuet in G we all learned as kids. Below is a listing of all this works. They will not be covered in the survey as they arent Bach. :) BWV Anh. 42 – Fugue in F major – organ works BWV Anh. 43 – Fugue in B minor – organ works BWV Anh. 44 – Fugue in G major – organ works BWV Anh. 45 – Fugue in B-flat major on B-A-C-H – organ works BWV Anh. 46 – Trio in C minor – organ works BWV Anh. 47 – Ach Herr, mich armen Sünder – doubtful works BWV Anh. 48 – Allein Gott in der Höh sei Ehr – doubtful works BWV Anh. 49 – Ein feste Burg ist unser Gott – doubtful works BWV Anh. 50 – Erhalt uns, Herr, bei deinem Wort – doubtful works BWV Anh. 51 – Erstanden ist der heilige Christ – doubtful works BWV Anh. 52 – Freu dich sehr, o meine Seele – doubtful works BWV Anh. 53 – Freu dich sehr, o meine Seele – doubtful works BWV Anh. 54 – Helft mir Gottes Güte preisen – doubtful works BWV Anh. 55 – Herr Christ, der einig Gotts Sohn – doubtful works BWV Anh. 56 – Herr Jesu Christ, dich zu uns wend – doubtful works BWV Anh. 57 – Jesu Leiden, Pein und Tod (by Johann Caspar Vogler) BWV Anh. 58 – Jesu, meine Freude – doubtful works BWV Anh. 59 – Jesu, meine Freude – doubtful works BWV Anh. 60 – Nun lob, mein Seel, den Herren – doubtful works BWV Anh. 61 – O Mensch, bewein dein Sünde groß – doubtful works BWV Anh. 62a – Sei Lob und Ehr mit hohem Preis – doubtful works BWV Anh. 62b – Sei Lob und Ehr mit hohem Preis – doubtful works BWV Anh. 63 – Von Himmel hoch, da komm ich her – doubtful works BWV Anh. 64 – Von Himmel hoch, da komm ich her – doubtful works BWV Anh. 65 – Von Himmel hoch, da komm ich her – doubtful works BWV Anh. 66 – Wachet auf, ruft uns die Stimme – doubtful works BWV Anh. 67 – Was Gott tut, das ist wohlgetan – doubtful works BWV Anh. 68 – Wer nur den lieben Gott läßt walten – doubtful works BWV Anh. 69 – Wir glauben all an einen Gott – doubtful works BWV Anh. 70 – Wir glauben all an einen Gott – doubtful works BWV Anh. 71 – Wo Gott, der Herr, nicht bei uns hält – doubtful works BWV Anh. 72 – Canon – doubtful works BWV Anh. 73 – Ich Ruf du dir, Herr Jesu Christ (arrangement of BWV 639, possibly by C. P. E. Bach) BWV Anh. 74 – Schmücke dich, o liebe Seele (probably by G. A. Homilius) BWV Anh. 75 – Herr Christ, der einig Gotts Sohn – doubtful works BWV Anh. 76 – Jesu Meine Freude – doubtful works BWV Anh. 77 – Herr Christ, der einig Gotts Sohn – doubtful works BWV Anh. 78 – Wenn wir in höchsten Nöten sein – doubtful works BWV Anh. 79 – Befiehl du deine Wege – doubtful works BWV Anh. 107 – Fugue – doubtful works BWV Anh. 108 – Fugue – doubtful works BWV Anh. 109 – Fugue – doubtful works BWV Anh. 110 – Fugue – doubtful works BWV Anh. 111 – Largo and Allegro – doubtful works BWV Anh. 112 – Grave – doubtful works Anna Magdalenas Notebooks BWV Anh. 113 – Minuet – doubtful works BWV Anh. 114 – Minuet – attributed to Christian Petzold BWV Anh. 115 – Minuet – attributed to Christian Petzold BWV Anh. 116 – Minuet – doubtful works BWV Anh. 117a – Minuet – doubtful works BWV Anh. 117b – Minuet – doubtful works BWV Anh. 118 – Minuet – doubtful works BWV Anh. 119 – Polonaise – doubtful works BWV Anh. 120 – Minuet – doubtful works BWV Anh. 121 – Minuet – doubtful works BWV Anh. 122 – March – Carl Philipp Emanuel Bach BWV Anh. 123 – Polonaise – C. P. E. Bach BWV Anh. 124 – March – C. P. E. Bach BWV Anh. 125 – Polonaise – C. P. E. Bach BWV Anh. 126 – Musette – doubtful works BWV Anh. 127 – March – doubtful works BWV Anh. 128 – Polonaise – doubtful works BWV Anh. 129 – Solo – C. P. E. Bach BWV Anh. 130 – Polonaise – Johann Adolph Hasse BWV Anh. 131 – Movement – doubtful works BWV Anh. 132 – Minuet – doubtful works More spurious works BWV Anh. 133–150 – pieces for musical clock possibly by W. F. Bach BWV Anh. 133 – Fantasia – doubtful works BWV Anh. 134 – Scherzo – doubtful works BWV Anh. 135 – Buslesca – doubtful works BWV Anh. 136 – Trio – doubtful works BWV Anh. 137 – LIntrada della Caccia – doubtful works BWV Anh. 138 – Continuazione della Caccia – doubtful works BWV Anh. 139 – Il Fine delle Caccia – I – doubtful works BWV Anh. 140 – Il Fine delle Caccia – II – doubtful works BWV Anh. 141 – Song of Psalm: O Gott die Christenhalt – doubtful works BWV Anh. 142 – Psalm 110 – doubtful works BWV Anh. 143 – Polonaise – doubtful works BWV Anh. 144 – Polonaise Trio – doubtful works BWV Anh. 145 – March – doubtful works BWV Anh. 146 – March – doubtful works BWV Anh. 147 – La Combattuta – doubtful works BWV Anh. 148 – Scherzo – doubtful works BWV Anh. 149 – Minuet – doubtful works BWV Anh. 150 – Trio – doubtful works BWV Anh. 151 – Concerto – doubtful works BWV Anh. 152 – Concerto – doubtful works BWV Anh. 153 – Sonata – doubtful works Falsely attributed works[edit] BWV Anh. 158 – Aria: Andro dall colle al prato – falsely attributed works BWV Anh. 159 – Motet: Ich lasse dich nicht, du segnest mich denn – probably by J. S. Bach (except final chorale), previously ascribed to J. C. Bach BWV Anh. 160 – Motet: Jauchzet dem Herrn, alle Welt – assembly of movements by Bach and Telemann BWV Anh. 161 – Motet: Kundlich gross ist das gottselige Geheimnis – falsely attributed works BWV Anh. 162 – Motet: Lob und Ehre und Weishelt und Dank – falsely attributed works BWV Anh. 163 – Motet: Merk aud, mein Herz, und sieh dorthin – falsely attributed works BWV Anh. 164 – Motet: Nun danket alle Gott – falsely attributed works BWV Anh. 165 – Motet: Unser Wandel ist im Himmel – falsely attributed works BWV Anh. 177 – Prelude and Fugue – falsely attributed works (composed by Johann Christoph Bach) BWV Anh. 178 – Toccata quasi Fantasia with Fugue – falsely attributed works BWV Anh. 179 – Fantasia – falsely attributed works BWV Anh. 180 – Fugue – falsely attributed works BWV Anh. 181 – Fugue – falsely attributed works BWV Anh. 182 – Passacaglia – by Christian Friedrich Witt BWV Anh. 183 – Rondeau – Les Bergeries by François Couperin, contained in the Notebook for Anna Magdalena Bach BWV Anh. 184 – Sonata – falsely attributed works BWV Anh. 185 – Sonata – falsely attributed works BWV Anh. 186 – Sonata – falsely attributed works BWV Anh. 187 – Trio – falsely attributed works BWV Anh. 188 – Sonata (Concerto) for 2 Claviers – falsely attributed works BWV Anh. 189 – Concerto in A minor – falsely attributed works BWV Anh. 200 – O Traurigkeit, o herzeleid – fragment from Orgelbüchlein BWV Anh. 205 – Fantasia in C minor – has become BWV 1121 Reconstructed concerti Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for reconstructed). BWV 1052R – Violin Concerto in D minor (reconstructed from BWV 1052) BWV 1053R – Oboe damore Concerto in D major / Oboe Concerto in F major (reconstructed from BWV 1053) BWV 1055R – Oboe damore Concerto in A major (reconstructed from BWV 1055) BWV 1056R – Violin Concerto in G minor / Oboe Concerto in G minor (reconstructed from BWV 1056) BWV 1059R – Oboe Concerto in D minor (reconstructed from BWV 1059 and associated cantatas – the most spurious reconstruction, because there is no more than a 9-bar fragment of this piece surviving) BWV 1060R – Concerto for Violin and Oboe in C minor/D minor (reconstructed from BWV 1060) BWV 1064R – Concerto for Three Violins in D major (reconstructed from BWV 1064)
Posted on: Tue, 23 Sep 2014 00:56:03 +0000
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