Fun fact about the Interstellar score: The overarching organ motifs throughout seems to branch off of this piece The Wooden Prince youtube/watch?v=HG5Y1IUVPdM A prince falls in love with a princess, but is stopped from reaching her by a fairy who makes a forest and a stream rise against him. To attract the princess attention, the prince hangs his cloak on a staff and fixes a crown and locks of his hair to it. The princess catches sight of this wooden prince and comes to dance with it. The fairy brings the wooden prince to life and the princess goes away with that instead of the real prince, who falls into despair. The fairy takes pity on him as he sleeps, dresses him in finery and reduces the wooden prince to lifelessness again. The princess returns and is finally united with the human prince. Which also happened to be adapted by James Horner for the original The Land Before Time in The Great Migration: https://youtube/watch?v=W8MlNSiEzTU I always hate swelling film scores for being so unnecessarily manipulative, but in both these cases, Interstellar and The Land Before Time, the circumstances are so HUGE, the stakes so HIGH... Time and space are manipulated and what you see is something we have never and will likely never see that only complete silence, or the rumbling, crashing, thunderous and near horrendously loud orchestra could translate from the visual nostalgia/visual future to your ears.
Posted on: Wed, 19 Nov 2014 19:28:33 +0000
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