Hostory of patan and Chariot festival of rato matchendranath patan - TopicsExpress



          

Hostory of patan and Chariot festival of rato matchendranath patan Patan (Sanskrit: पाटन Pātan, Nepal Bhasa: यल Yala), officially Lalitpur Sub-Metropolitan City, is one of the major cities of Nepal located in the south-central part of Kathmandu Valley. Patan is also known as Manigal. It is best known for its rich cultural heritage, particularly its tradition of arts and crafts. It is called city of festival and feast, fine ancient art, making of metallic and stone carving statue. At the time of the 2011 Nepal census it had a population of 226,728 in 54,748 individual households. Durbar Square in Patan Patan is on the elevated tract of land in Kathmandu Valley on the south side of the Bagmati River, which separates it from the city of Kathmandu on the northern and western side. The Nakkhu Khola acts as the boundary on the southern side. It was developed on relatively thin layers of deposited clay and gravel in the central part of a dried ancient lake known as the Nagdaha. History Lalitpur is believed to have been founded in the third century BC by the Kirat dynasty and later expanded by Licchavis in the sixth century. It was further expanded by the Mallas during the medieval period. There are many legends about its name. The most popular one is the legend of the God Rato Machhindranath, who was brought to the valley from Kamaru Kamachhya, located in Assam, India, by a group of three people representing the three kingdoms centered in the Kathmandu Valley. One of them was called Lalit, a farmer who carried God Rato Machhindranath to the valley all the way from Assam, India. The purpose of bringing the God Rato Machhindranath to the valley was to overcome the worst drought there. There was a strong belief that the God Rato Machhindranath would bring rain in the valley. It was due to Lalits effort that the God Rato Machhindranath was settled in Lalitpur. Many believe that the name of the town is kept after his name Lalit and pur meaning township. In May, a chariot festival honoring the deity known as Bunga Dyah Jatra is held in Patan. It is the longest and one of the most important religious celebrations in Patan. During the month-long festival, an image of Rato Machhendanath is placed on a tall chariot and pulled through the city streets in stages. Lalitpur said to have been founded by King Veer Deva in 299 AD, but there is unanimity among scholars that Patan was a well established and developed town since ancient times. Several historical records including many other legends indicate that Patan is the oldest of all the cities of Kathmandu Valley. According to a very old Kirat chronicle, Patan was founded by Kirat rulers long before the Licchavi rulers came into the political scene in Kathmandu Valley. According to that chronicle, the earliest known capital of Kirat rulers was Thankot. Kathmandu, the present capital was most possibly removed from Thankot to Patan after the Kirati King Yalamber came into power sometimes around second century AD. One of the most used and typical Newar names of Patan is Yala. It is said that King Yalamber or Yellung Hang named this city after himself, and ever since this ancient city was known as Yala. In 1768, Lalitpur was annexed to the Gorkha Kingdom by Prithvi Narayan Shah in the Battle of Lalitpur. Historical monuments The city was initially designed in the shape of the Buddhist Dharma-Chakra (Wheel of Righteousness). The four thurs or mounds on the perimeter of Patan are ascribed around, one at each corner of its cardinal points, which are popularly known as Asoka Stupas. Legend has it that Emperor Asoka (the legendary King of India) visited with his daughter Charumati to Kathmandu in 250 BC and erected five Asoka Stupas, four in the surrounding and one at the middle of the Patan. The size and shape of these stupas seem to breathe their antiquity in a real sense. There are more than 1,200 Buddhist monuments of various shapes and sizes scattered in and around the city. The most important monument of the city is Patan Durbar Square, which has been listed by UNESCO as one of seven Monument Zones that make up the Kathmandu Valley World Heritage Site. The seven monument zones were included in the World Heritage List in 1979 as one integrated site. The monument zones are declared as protected and preserved according to the Monuments Preservation Act of 1956. Patan City was planned in Vihars and Bahils. Out of 295 Vihars and Bahils of the valley 56% of them are in Patan. The water conduits, stone spouts, Jaladroni (water tanks), artistic gate ways, Hindu temples and Buddhist Vihars adorn the city. The in built cultural heritage like the royal palace, with intricately carved doors and windows and beautiful courtyards adorned with exquisite icons enhance the beauty of the city. Such art pieces are found in stone, metal, terracotta ivory and other objects. All these artifacts exhibit artistic excellence of the craftsmen and the whole city looks like an open museum. Rato Machhendranath or Matsyendranath is a god of rain worshiped by both Hindus and Buddhists in Nepal. Hindus regard him as the reincarnation of the Lord Shiva, while the Buddhists regard him as the Tantric reincarnation of Avalokiteshvara. The temple of Rato Machchhindranath lies in the southern part of the Patan Durbar Square since 1673. The Temples of Rato Machchhindranath The Patan temple, also known as the Rato Machchhindranath Temple, is one of the oldest temple which dates back from 16th century. It is one of the famous temples of the Kathmandu Valley. It lies in the southern part of the Patan Durbar Square. Each of the four well crafted wooden doors of this temple is guarded by two lion figures while the four corners of the temple are guarded by Khyah, a Yeti-like demonic figure. Rato Machchhindranath spends six months of the year in this temple. The village of Bungamati, regarded as the birthplace of Machchhindranath, is a traditional Newar town located 10 km from downtown Kathmandu. The temple of Rato Machchhindranath is located in the heart of this village and it is known as his second home. It is a well crafted shikhara styled temple. After the chariot festival, Rato Machchhindranath spends the next six month in this temple. Legend Legend says that, when Guru Gorakhnath visited Patan, he captured all the rain showering serpents of Patan and started to meditate after he was disappointed by the locals as they did not grant him any alms on his request. As a result, Patan faced drought for a long time. The then king of Patan, on the advice of his advisers, invited Machchhindranath, Guru of Gorakhnath, to Patan. When Gorakhnath learned that his teacher was in Patan he released all the rain showering serpents and went to see him. As soon as the rain showering serpents were set free, Patan again got plenty of rainfall every year. After that day, the locals of Patan worshiped Machchhindranath as the god of rain. Chariot festival Showing the vest to the crowds The most important event connected with the deity is the annual chariot procession known as Bunga Dyah Jatra or Rato Machhindranath Jatra. Each year, the locals of Patan, Lalitpur celebrate the festival in order to show respect to the rain god. This festival is one of the oldest and the longest festival celebrated in Patan and is celebrated in April-May. It is celebrated just before the monsoon season starts so that the city will get plenty rainfall for good growth of crops. During the procession, the image of Bunga Dyah is placed on a tall chariot about 65 feet high and pulled in stages through the streets of Patan for a month. Before the chariot festival starts the ritual of Mahasnana is conducted in an auspicious hour as indicated by the astrologers about 15 days before the chariot festival. The deity is taken to a platform at Lagankhel which is about 200 meters away from the temple of Machindranath at Ta: bahal Lalitpur. There infront of a huge crowd the god is given a bath with the sacred water mixture of honey, milk and water fetched by the panejus or priests in the four silver kalasa(vessel). The four priests then pour the sacred water or jal from four direction in the platform to the deity and its is believed that from which ever direction 1st the jal touches the deity from the same direction monsoon will start or first rain will be granted.
Posted on: Wed, 20 Aug 2014 06:10:38 +0000

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