JANUARY 1954 Elvis Presley performed Club Handy an historical - TopicsExpress



          

JANUARY 1954 Elvis Presley performed Club Handy an historical interlude. This is what happened on Beale Street one winter evening on January 1954. The weather was cold, a wet, icy cold that seeped right through the heaviest of coats and cut straight to the bone. The young man loitering on 195 Hernando Street wasnt wearing a coat, and was obviously freezing. He paced back and forth in front of a small doorway, swinging his gangly arms back and forth, trying to ward off the cold. He was wearing a bright pink suit that clashed terribly with his pale blue complexion. The pink suit seemed two sizes too big, giving him the look of a scarecrow. His belt and shows were white patent leather, and the shoes showed all the signs of having spent many an evening walking the hard, unforgiving pavement of Beale Street. The few other people on the street that particular evening stared openly at the pink suit, even more intently when they realized that the young man in it was white, some kind of jive asshole standing near the corner of Beale and Hernando, freezing his tail off, not even wearing an overcoat. His pacing was obsessive, faster and faster, in time with the wad of gum he was chewing. His hair was slicked back, and a lock of the greased pompadour kept falling across his eyes. He pushed it back in place without seeming to notice. Finally, the small door opened and a caramel-coloured face peered out into the cold. Elvis, the black man said into the gathering dark. Elvis, goddammit boy! Are you ready or not? Cmon, boy. Elvis Presley quickly spat the gum into the gutter of Hernando Street and hurried over to the black man at the door. He pushed the slicked hair back into place for the umpteenth time, and his angular face broke into a wide grin. Im sorry, said Elvis Presley. I guess you caught me just dreamin some, trying to keep warm. He was earnest, apologetic. You dont watch out, boy, you get both our butts in the Memphis City Jail, the proprietor said. It was against the law for a white man to enter a black entertainment establishment (and even more against the law for a black man to enter a white entertainment establishment). Separate but equal was the byword, the way go keep the black men away from the white women, god forbid, and vice versa. The proprietor looked up and down the street, which was practically deserted in the evening chill. Cmon, he said, pushing Elvis Presley ahead of him up the narrow back staircase, Cmon in. The two went up the back stairs, into the Club Handy through the emergency exit. Although the night was still relatively young, the joint was already cooking, the steamy heat of moving bodies absorbing the winter cold. The feature attraction that night was just the house band, a group that usually fronted for local rhythm and blues singer Bill Harvey, and theyd worked the crowd into a white heat. Elvis Presley entered the club, and a ripple of indignation moved through the crowd. There were special expressions, special masks, reserved for white people, and the majority of the faces slipped automatically into those expressions - smooth brown masks, neither frowning nor smiling, eyes that soon turned away. A few of the faces registered resentment, disgust. Another white boy, the faces said, come here to our ground to look and steal what he can, maybe leave tonight with a sleek brown woman on his elbow; ought to keep his white ass off Beale Street. The other faces showed amusement; eyes met and exchanged secret signals, totally lost on the young man in the pink suit. Look at him, the eyes winked back and forth, poor little white boy who wants to be a nigger. Elvis Presley blinked in the smokey room, licked his lips and cleared his throat. His body, betraying his uneasiness, began moving to the music. The proprietor left his side and walked over to the bandstand, where he corralled the bandleader between numbers. There was much whispering between the two, with a few gestures and strange glances back at Elvis Presley, who waited quietly by the rear door. Finally the bandleader laughed and motioned for Elvis Presley to come over to the bandstand. Folks, the bandleader said to the attentive audience, we got us a special treat tonight. Mr. Elvis Presley here, who go to works for Mr. Sam Phillips over at Sun Records, is gonna sing us a couple of songs. Cmon up here, boy!. Elvis Presley smiled and waved, and the crowd responded with thunderous applause and laughter. Thank you very much, Elvis Presley said, turning to the band. Lets sing some blues here. You boys know Sleepy John Estes Milkcow Blues Boogie. The bandleader snorted, and before Elvis Presley turned around, the band dug into a hopped-up version of the blues standard. The band was puzzled. Elvis Presley wasnt singing what they were playing, at least not the right way. The beat was not the same - he was singing ahead of the jazzed-up blues beat, moving his body to punctuate the rhythm in his head. The band shifted tempo a bit, but something was still wrong, strangely, undefinable wrong. The crowd sensed that the band and the singer were not together, but they were already moving to the white boys new rhythm. It was somehow more fierce and less worldly than the dance music they were used to, more akin to the frantic honky-tonk blues than the classy Club Handy. Elvis Presley finished up to a scattering of applause. He was flushed, cocky, looking down from the stage into a sea of eyes and teeth. He pushed his hair back from his sweating face and sneered at the audience. Thank you thank you, he said. Lets do some Big Boy Crudup now. Boys, he said to the band, follow me now. The band fumbled around, blind men looking for the new beat. It was almost as if he couldnt sing rhythm and blues. His body jerked as the song poured out, leaner and meaner than anything Big Boy Crudup ever imagined. The crowd moved with the new beat, hypnotized by the swaying figure in the pink suit, looking deep into a pink crystal ball showing a pink vision of the future, a pink and white vision of the future. The band stumbled again, reaching for the beat. The band members were consummate professionals, veterans of a million hours in a million smokey clubs, but this music was something different, so close to what they were used to playing that it made playing if difficult. The fingers want the old familiar patterns. The applause after the sone was uneasy, but Elvis Presley couldnt feel it. The music in his head went round and round, and he knew in his heart and in his soul and in his guts that it was the music of the future, if anybody would just listen to it. He would find a way to make Mr. Sam Phillips understand if it took the rest of his life, because he knew he had the power. He knew that he, a white nigger from Tupelo, Mississippi, had the beat. Just like the crowd at Club Handy knew, down in their guts, that theyd just seen someone step on their graves. While frequenting Beale Street, Elvis Presley began listening late at night to Gene Nobles and John John R Richbourg, who broadcast out of Nashville and played rhythm and blues tunes.
Posted on: Fri, 14 Mar 2014 19:08:40 +0000

Recently Viewed Topics




© 2015