Kharaharapriya......... Kharaharapriya is a rāga in Carnatic music. It is the 22nd melakarta rāga (parent scale) in the 72 melakarta rāga system. It is possible that the name of the ragam was originally Harapriya but it was changed to conform to the Katapayadi formula. Kharaharapriya has a distinct melody and brings out the Karuna rasam, invoking pathos in the listeners. The Kafi thaat of Hindustani music is the equivalent of Kharaharapriya. There are many theories behind the etymology of the name Kharaharapriya. The most popular interpretation of the name is Loved (priya) by the slayer (hara) of demon Khara. It is 4th rāga in the 4th chakra Veda. The mnemonic name is Veda-Bhu. The mnemonic phrase is sa ri gi ma pa dhi ni.[1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S R2 G2 M1 P D2 N2 S avarohaṇa : S N2 D2 P M1 G2 R2 S The notes are chatushruti rishabham, sadharana gandharam, shuddha madhyamam, chatushruti dhaivatam and kaisiki Nishadam. It is a sampoorna rāgam – scale having all 7 swarams. It is the shuddha madhyamam equivalent of Hemavati, which is the 58th melakarta scale. Since the swaras of Kharaharapriya are quite evenly spaced, and since several different types of gamakas are allowed, it is a very versatile, fluid and flexible rāgam that allows for elaborate melodic improvisation within its scale. Songs sung in Kharaharapriya ragas typically have long, elaborate ālapanās, which exhibit the fluidity of the rāgam. Kharaharapriya songs are usually meant to be sung slow, medium or medium-fast, in order to bring out the Karuna rasa and bhava of the song. Due to the even spacing of swaras, many janya rāgams (derived scales) are associated with Kharaharapriya. It is one of the melakarta scales that has a large number of janya rāgams. Many of the janya rāgams are very popular on their own, lending themselves to elaboration and interpretation. Some of them are Abheri, Abhogi, Andolika, Bhimplaas (Hindustani music), Brindavana Saranga, Kāpi, Madhyamavati, Mukhari, Reetigowla,Shree, Dhanaashri, Udayaravichandrika, Shivaranjani and Sriranjani. 22 Kharaharapriya S R2 G2 M1 P D2 N2 S S N2 D2 P M1 G2 R2 S Shree S R2 M1 P N2 S S N2 P D2 N2 P M1 R2 G2 R2 S Abheri S G2 M1 P N2 S S N2 D2 P M1 G2 R2 S Abhogi S R2 G2 M1 D2 S S D2 M1 G2 R2 S Ādi Kāpi S R2 M1 G2 M1 P D2 N2 S S N2 D2 P M1 G2 R2 S Āryamati S R2 G2 P D2 S S N2 D2 P D2 M1 G2 R2 S Agnikopa S G2 M1 P N2 S S N2 P M1 G2 R2 S Asāveri S R2 G2 M1 D2 N2 S S N2 D2 M1 P D2 M1 G2 R2 S Bālachandrika S G2 M1 P D2 N2 S S N2 D2 M1 G2 R2 S Basant Bahār S M2 P G3 M2 N3 D1 N3 S R2 S N2 D2 P M1 G2 M1 G2 R2 S Bhāgeshri S G2 M1 D2 N2 S S N2 D2 M1 P D2 G2 M1 R2 S Bhagavatapriya S R2 G2 M1 P N2 S S N2 D2 P M1 G2 R2 S Bhagavathpriya S R2 G2 M1 R2 M1 P D2 N2 S S N2 D2 P M1 R2 S Bhimpalās N2 S G2 M1 P N2 S S N2 D2 P M1 G2 R2 S Brindāvana Sāranga S R2 M1 P N3 S S N2 P M1 R2 G2 R2 S Brindāvani S R2 M1 P N3 S S N2 P M1 R2 S Chakrapradipta S R2 G2 M1 P M1 D2 N2 S S N2 D2 M1 G2 S Chittaranjani S R2 G2 M1 P D2 N2 N2 D2 P M1 G2 R2 S Darbār S R2 M1 P D2 N2 S R2 S N2 S D2 P M1 R2 G2 G2 R2 S Dayavati S R2 G2 P N2 S S N2 P M1 G2 S Devāmruthavarshani S R2 G2 M1 N2 D2 N2 S S N2 D2 P M1 G2 R2 S Deva Manohari S R2 M1 P D2 N2 S S N2 D2 N2 P M1 R2 S Dhanakāpi S R2 M1 P N2 S (Varies) S N2 D2 N2 P M1 G2 R2 S Dilipika S R2 G2 M1 P N2 D2 N2 P D2 N2 S S N2 D2 P M1 G2 R2 S Durga S R2 M1 D2 P D2 S S D2 P M1 R2 S Gowla Kannada S R2 G2 M1 P D2 N2 S S N2 P M1 G2 S Hamsa ābheri S G2 P M1 P N2 S S N2 D2 P M1 G2 S Haridasapriya S P M1 G3 M1 P N2 S S N2 D2 N2 P M1 G2 R2 S Harinārāyani S R2 G2 M1 P M1 D2 N2 S S N2 P M1 G2 R2 S Hindustāni Kāpi S R2 M1 P N2 S S N2 D2 N2 P M1 G2 M1 D2 P G2 R2 S N2 S Huseni S R2 G2 M1 P N2 D2 N2 S S R2 G3 M1 P N3 D2 M1 P N3 S S N2 D1 P M1 G2 R2 S S N3 S P D2 M1 P G3 R2 S Jayamanohari S R2 G2 M1 D2 S S N2 D2 M1 G2 R2 S Jayanārāyani S R2 G2 M1 P D2 S S N2 D2 P M1 G2 R2 S Jayanthasena S G2 M1 P D2 S S N2 D2 P M1 G2 S Kanadā S R2 G2 M1 D2 N2 S S N2 P M1 G2 M1 R2 S Kāpi S R2 M1 P N3 S S N2 D2 N2 P M1 G2 R2 S Kāpijingala S N2 S R2 G2 M1 M1 G2 R2 S N2 D2 N2 S Kalānidhi S R2 G2 M1 S P M1 D2 N2 S S N2 D2 P M1 G2 R2 S Kalika S R2 G2 P D2 N2 S S N2 D2 P G2 R2 S Kannadagowla S R2 G2 M1 P N2 S S N2 D2 P M1 G2 S Karnātaka Hindolam S G2 M1 D2 N2 S S N2 D2 M1 G2 S Karnātaka Kāpi S R2 G2 M1 P D2 N2 S S N2 D2 P M1 G2 R2 S Karnaranjani S R2 G2 M1 G2 P D2 S S N2 D2 P M1 G2 R2 S Kowmodaki S R2 G2 M1 P D2 N2 S S D2 P G2 S Kowshika S G2 M1 D2 N2 S S N2 D2 M1 G2 M1 R2 S Lalitamanohari S G2 M1 P D2 N2 S S N2 P M1 G2 R2 S Mādhavamanohari S R2 G3 M1 P N2 D2 N2 S S N2 D2 M1 G2 R2 S Mālavashree S G2 M1 P N2 D2 N2 P D2 N2 S S N2 D2 P M1 G2 R2 S Mārgahindolam S R2 G2 M1 P D2 N2 S S N2 D2 P M1 G2 S Māyapradeeptam S M1 G2 M1 P D2 N2 S S D2 P M1 G2 R2 S Madhyamarāvali S R2 G2 P D2 N2 S S N2 D2 P G2 R2 S Madhyamāvathi S R2 M1 P N2 S S N2 P M1 R2 S Mahānandhi S R2 G2 P D2 S S D2 P G2 R2 S Mandāmari S R2 M1 P D2 S S N2 S D2 P M1 G2 R2 S Mangalāvathi S R2 M1 P D2 S S D2 P M1 G2 R2 S Manirangu S R2 M1 P N2 S S N2 P M1 G2 R2 S Manjari S G2 R2 G2 M1 P N2 D2 N2 S S N2 D2 P M1 G2 R2 S Manohari S G2 R2 G2 M1 P D2 S S D2 P M1 G2 R2 S Manorama S R2 G2 M1 P D1 P S S N2 D1 P M1 G2 R2 S Maruvadhanyāsi S G2 M1 P D2 S S N2 D2 P M1 D2 M1 G2 R2 S Mishramanolayam S R2 M1 P D1 S S D2 D1 P M1 R2 S Mishrashivaranjani S R2 G2 P D2 S S D2 P G3 G2 R2 S Miyan Malhār S R2 P M1 P N2 D2 N2 S S N2 P M1 P G2 M1 R2 S Mukhāri S R2 M1 P N2 D2 S S N2 D1 P M1 G2 R2 S Nādachintāmani S R2 G2 M1 N2 D2 N2 S S N2 D2 P M1 G2 R2 S Nādatārangini S P M1 R2 G2 S S P N2 D2 P M1 G2 R2 G2 S Nādavarangini S P M1 N2 D2 N2 S S P N2 D2 P M1 G2 R2 G2 S Nāgari S R2 M1 P D2 N2 S S N2 D2 P M1 G2 S Nāgavalli S R2 M1 D2 N2 S S N2 D2 M1 R2 S Nāyaki S R2 M1 P D2 N2 D2 P S S N2 D2 P M1 R2 G2 R2 S Nigamagāmini M1 G2 S G2 M1 N2 S S N2 M1 G2 M1 G2 S Nirmalāngi S R2 M1 P N2 S S N2 P M1 R2 S Omkāri S R2 G2 M1 P D2 S S D2 P M1 G2 R2 S Panchamam S R2 D2 P N2 S S N2 D2 P M1 G2 R2 S Patadeep N2 S G2 M1 P N2 S S N2 D2 P M1 G2 R2 S N2 S G2 R2 S Phalamanjari S G2 M1 D2 S S N2 D2 P M1 G2 M1 R2 S Phalaranjani S G2 M1 P M1 D2 S S N2 D2 P M1 G2 M1 R2 S Peeloo N2 S G3 M1 P N2 D2 P S S N2 D2 P D2 P M1 G2 R2 S N2 S Poornakalānidhi S G2 M1 P D2 N2 S S D2 P M1 G2 R2 S Pushpalathika S R2 G2 M1 P N2 S S N2 P M1 G2 R2 S Ratipatipriya S R2 G2 P N2 S S N2 P G2 R2 S Reethigowla S G2 R2 G2 M1 N2 D2 M1 N2 N2 S S N2 D2 M1 G2 M1 P M1 G2 R2 S Rudrapriyā S R2 G2 M1 N2 S S N2 P M1 G2 R2 S Sālagabhairavi S R2 M1 P D2 S S N2 D2 P M1 G2 R2 S Sārang S R2 M1 P N2 S S N2 P M1 R2 S Saindhavi N2 D2 N2 S R2 G2 M1 P D2 N2 D2 P M1 G2 R2 S N2 D2 N2 S Sangrama S R2 M1 D2 N2 P S S N2 D2 G2 R2 S Sankrāndanapriyā S R2 G2 P D2 S S D2 P G2 R2 S Sarvachoodāmani S R2 M1 G2 M1 P D2 N2 S S N2 P D2 N2 D2 P M1 G2 R2 G2 R2 S Shivapriyā S R2 G2 P D2 S S D2 P G2 R2 S Shivaranjani S R2 G2 P D2 S S D2 P G2 R2 S Shree Manohari S G2 R2 G2 M1 P D2 S S D2 P M1 G2 R2 S Shree Manoranjani S G2 M1 D2 N2 S S N2 D2 M1 G2 R2 S Shreeranjani S R2 G2 M1 D2 N2 S S N2 D2 M1 G2 R2 S Siddhasena S G2 R2 G2 M1 P D2 S S N2 D2 M1 P M1 R2 G2 R2 S Suddha Bangāla S R2 M1 P D2 S S D2 P M1 R2 G2 R2 S Suddha Bhairavi S G2 M1 P N2 D2 S S N2 D2 M1 G2 R2 S Suddha Dhanyāsi S G2 M1 P N2 S S N2 P M1 G2 S Suddha Hindolam (Varamu) S G2 M1 D2 N2 S S N2 D2 M1 G2 S Suddha Manohari S R2 G2 M1 P D2 S S N2 P M1 R2 G2 S Suddha Velāvali S R2 M1 P N2 S S N2 D2 N2 P M1 G2 R2 S Sugunabhooshani S G2 M1 P M1 D2 N2 S S N2 D2 P M1 D2 M1 R2 S Swarabhooshani S G2 M1 P D2 N2 S S N2 D2 P M1 R2 S Swarakalānidhi S M1 G2 M1 P D2 N2 S S N2 D2 N2 P M1 G2 R2 S Swararanjani S R2 G2 M1 D2 N2 S S N2 P M1 G2 M1 R2 S Tavamukhāri S R2 G2 P D2 S S N2 D2 P M1 G2 R2 S Vajrakānti S G2 M1 P N2 S S N2 D1 P M1 G2 R2 S Kharaharapriya has been decorated with compositions by many composers. The ragam is most closely associated with Thyagaraja who has composed many songs in this rāgam, that have become popular and well known. Muthuswami Dikshitar, however, has not composed kritis in Kharaharapriya, but has composed kritis in a closely related ragam Harapriya, which bears stark similarities to Kharaharapriya.[3] A few of the popular compositions are listed here. Chakkani Rājamārgamu, Pakkala Nilabaḍi, Mitri Bhāgyame, Rāmā nī samāna, Naḍaci Naḍaci,Peridi ninnu and Rama nīyada by Tyagaraja in Telugu Bharathi Deviya nene by Purandara Dasa Okkaparikokkapari by Annamacharya in Telugu Moovasai konda thiruman by Muthiah Bhagavatar in Tamil Senthil andavan, Srinivasa Tava Charanam by Papanasam Sivan Satatam thaavaka pada sevanam, by Swathi Thirunal The basic scale of Kharaharapriya has been used in several film songs in Indian film music. Although rarely authentic, there are several film songs that are set in this scale, or scales derived from this ragam. Ace singer P. Unnikrishnan released his 2012 album on Lord Ayyappan titled Shabaimalai Va Charanam Solli Va in which he has rendered a song in Kharaharapriya raagam set in classical melody. The song also illustrates how the Lord learnt the Kalari fight in Cheerappanchira which houses a temple called Mukkal Vattam managed by Lords Guruvamsam even now. Kharaharapriyas notes when shifted using Graha bhedam, yields 5 other major melakarta rāgams, namely, Kalyani, Hanumatodi, Natabhairavi, Shankarabharanam and Harikambhoji. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam கரகரப்பிரியா.......... கரகரப்பிரியா (கரஹரப்பிரியா) கருநாடக இசையின் 22 வது மேளகர்த்தா இராகம். அசம்பூர்ண மேள பத்ததியில் சிறீராகம் 22 வது இராகமாகக் கொள்ளப்படுகிறது. இந்துஸ்தானி இசையில் இதற்கு காபிதாட் என்பது பெயர். ஆரோகணம்: ஸ ரி2 க2 ம1 ப த2 நி2 ஸ் அவரோகணம்: ஸ் நி2 த2 ப ம1 க2 ரி2 ஸ வேத என்றழைக்கப்படும் 4 வது சக்கரத்தில் 4 வது மேளம். இந்த இராகத்தில் ஷட்ஜம், சதுஸ்ருதி ரிஷபம்(ரி2), சாதாரண காந்தாரம்(க2), சுத்த மத்திமம்(ம1), பஞ்சமம், சதுஸ்ருதி தைவதம்(த2), கைசிகி நிஷாதம் (நி2) ஆகிய சுரங்கள் வருகின்றன. பிரத்தியாகத கமகம் இவ்விராகத்திற்கு அழகைக் கொடுக்கும். கருணைச் சுவையைக் கொண்டது. விரிவான ஆலாபனைக்கு இடம் கொடுக்கும் இராகம். எப்போதும் பாடலாம். இவ்விராகமே பழமையான சாமகானத்தை ஒத்து இருப்பதாக கூறப்படுகிறது. இதற்கு நேர் பிரதி மத்திம இராகம் ஹேமவதி (58). இது ஒரு மூர்ச்சனாகாரக மேளம். இதன் ரி, க, ம, ப, நி முறையே கிரக பேதத்தின் வழியாக ஹனுமத்தோடி, மேசகல்யாணி, ஹரிகாம்போஜி, நடபைரவி, தீரசங்கராபரணம் ஆகிய மேளங்களைக் கொடுக்கும். தியாகராஜர் இந்த இராகத்தில் பல கிருதிகளை இயற்றியுள்ளார். கிருதி : சக்கனிராஜ : ஆதி : தியாகராஜர் கிருதி : பக்கல நிலபடி : மிஸ்ர சாபு : தியாகராஜர். கிருதி : என்ன செய்தாலும் : ஆதி : பாபநாசம் சிவன் கிருதி : கண் பாரய்யா : ஆதி : கோடீஸ்வர ஐயர் கிருதி : மாயவித்தை செய்வோனே : ஆதி : முத்துத் தாண்டவர் கரகரப்பிரியாவின் ஜன்ய இராகங்கள் இவை. ஆபேரி ஆபோகி உசேனி உதயரவிச்சந்திரிக்கா களாநிதி கன்னடகௌளை காப்பி கானடா கிரணாவளி சிறீராகம் சிறீரஞ்சனி சிவரஞ்சனி சுத்தபங்காளா தர்பார் நாகவல்லி நாயகி நாஹரி மகுடதாரிணி மத்தியமாவதி மயூரத்வனி மத்திமராவளி மணிரங்கு முகாரி தேவமனோகரி ஜெயமனோகரி ரீதிகௌளை பாலச்சந்திரிக்கா பிருந்தாவனசாரங்கா புஷ்பதிலகா பூர்ணகளாநிதி மஞ்சரி ஜெயநாராயணி ஸ்வரபூஷணி சித்தசேனா மனோகரி மாளவசிறீ ஜெயந்தசேனா பலமஞ்சரி தேவகிரியா லலிதமனோகரி ருத்ரப்பிரியா இனகரப்பிரியா ஓம்காரி வரமு போகவதி..... youtu.be/K9WDlSHKTQs Tamil Movie Song - Tik Tik Tik - Poo Malarnthida Nadamidum Song from Tik Tik Tik starring Kamal Haasan and Madhavi. This song was composed by Ilayaraja and sung by K.J.Yesudas and Jency.
Posted on: Tue, 19 Aug 2014 01:28:10 +0000
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