Laila Lalami’s mesmerizing The Moor’s Account presents us a historical fiction that feels something like a plural totality (yes, a contradiction in terms), a narrative that braids points of view so intricately that they become one even as we’re constantly reminded of the separate and often contrary strands that render the whole. This from Rubén Martínezs excellent essay on the novel in the Los Angeles Review of Books. Take a look.
Posted on: Wed, 24 Sep 2014 23:21:03 +0000
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