PHILLIPS SOUND RECORDING SERVICES Phillips Sound Recording Services was a studio in the house of Percy Francis Phillips and his family at 38 Kensington, Kensington, Liverpool, England. Between the years of 1955 and 1969, Phillips recorded numerous tapes and acetate discs for Liverpool acts, people and businesses in a small room behind the shop his family owned. Phillips first sold bicycles and motorbikes, but later started selling and recharging batteries in a shop in the front room of his house in 1925. After a decline in demand for batteries in the early 1950s, he started selling electrical goods and popular records. In 1955, Phillips set up a recording studio called Phillips Sound Recording Services. In 1955, several customers asked if Phillips could make demo discs, so he bought a 1/4 inch tape recorder (replaced in 1963 with a Vortexion portable), an MSS (Marguerite Sound Studios - after the owners wife) disc cutting machine, an amplifier, a 4-track mixer, three microphones (a Reslo, an HMV ribbon microphone, and an AKG), and three pairs of headphones for £400, while on a trip to London to visit his son Frank, who was there for a sound recording course at EMI Electronics. Phillips set up the equipment behind his shop in the (12 square feet) middle living room, with a piano and an overturned tin bath in the cellar as a reverb chamber, with a speaker and microphone linked to the studio above. The recordings would normally be on tape, and then transferred to disc, although the tape was recorded over again during the next session. Because of trams, trucks, and horses going up and down Kensington, Phillips had to hang heavy blankets over the studio door and a rear window to minimise the noise. Phillips first recording was of himself singing Bonnie Marie of Argyle, (unaccompanied) and a few days later he recorded Unchained Melody, with local dance band singer Betty Roy. The first disc he cut in the studio was on 7 August 1955, with his eight-year-old daughter, Carol, singing, Mr Sandman. All the discs had Play with a light-weight pick-up on the label, as this would increase the life of the disc, which would eventually wear out. Phillips advertised the studio as Phillips Sound Recording Services (also advertised as P. F. Phillips Professional Tape & Disc Recording Service), and his business cards read: PF Phillips, 38 Kensington, Liverpool, 7. Television and Battery Service. Gramophone Record Dealer. Professional Tape and Disc Recording Studio. He started cutting discs for members of the public, as well as for actors from the Liverpool Playhouse, who often stayed in the first-floor boarding rooms above the studio, who were sometimes asked by Phillips to record monologues and poems. These included the actors John Thaw, Richard Briers, and the ventriloquist Ray Alan. For the first couple of years, Phillips made music compilation discs for local businesses such as the local ice rink or cinema, men singing songs for loved ones, children playing an instrument, or even a neighbour’s dog howling along to piano accompaniment. As the record shop and studio took over the business, he had a brass plate made which he put on the wall just outside the front door, and had labels made for the discs, but changed the design of the disc label every year. By 1957, Phillips was recording more and more groups of young men with guitars, basses, washboards and drums, who played skiffle. Ron Wycherly (a.k.a. Billy Fury) recorded several songs onto disc in the studio, including, Im Left Youre Right Shes Gone, Playin For Keeps, Paralyzed and Come Go With Me (all previously released by Elvis Presley) as well as, Have I Told You Lately That I Love You (Lulu Belle and Scotty) and his own composition, Yodelling Song. Furys mother sent the songs to impresario Larry Parnes, which started her sons singing career. In 1958, The Quarrymen (John Lennon, Paul McCartney, George Harrison, John Duff Lowe and Colin Hanton) recorded Thatll Be The Day, and In Spite of All the Danger in the studio. Other clients included Billy Fury, Ken Dodd, and Marty Wilde. Other customers of Phillips studio included The Swinging Blue Jeans, Brian Epstein, Freddie Starr, Willy Russell, Liverpool F.C. supporters club, and players from Everton F.C.. Denny Seyton and The Sabres recorded Little Latin Lupe Lu (Bill Medley) in the studio in 1963. Phillips closed the studio in 1969 and the record shop in 1974. THE QUARRYMEN RECORDING Johnny Guitar Byrne (from Rory Storm and The Hurricanes) and singer Paul Murphy recorded a version of Butterfly and She’s Got it in the studio on 22 June 1957, and Byrne later played the recording to Harrison. On 12 July 1958, a local skiffle group, The Quarrymen (Lennon, McCartney, Harrison, Lowe and Hanton) visited Phillips studio to record two songs. The group were surprised to see how small and technically basic the studio was, with only one microphone in the centre of the room. Phillips demanded that they pay for the recording before they set up the equipment, so each member paid 3 shillings and 6 pence, but he then asked for an extra surcharge (£1) to cover the cost of transferring the tape recording to acetate disc. As this was too expensive, Phillips said that for a cut-rate price they would not be taped first, but record directly to vinyl. The first song they recorded was That‘ll Be The Day (sung by Lennon with harmonies by McCartney). Phillips wanted them to immediately record the next song, but Lennon and McCartney could not decide on a song for the B-side of the disc. McCartney suggested the doo-wop ballad, In Spite of All the Danger (by McCartney and Harrison, but sung by Lennon) even though Lowe and Hanton had never heard it before. They asked for some time to rehearse, but Phillips refused, saying, For seventeen and six 17/6d youre not here all day. Lowe and Hanton busked through the song, which was cut short by Phillips waving his hands to indicate that the cutting needle was getting close to the centre of the acetate. He then handed the band a fragile 78rpm 10-inch acetate record. McCartney later said, The strangest thing for me, listening to it, is that its like drowning, its like your life flashing by in front of you. From the earliest things by me and John when we used to sag off school and the earliest demo tape we ever made, to the first little record we made which was a version of John singing Thatll Be The Day, and a little song of mine [and Harrison] on the other side thats never been released before.
Posted on: Sat, 20 Sep 2014 15:09:26 +0000
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