Some of the better-known work by Wellington-based Korean artist - TopicsExpress



          

Some of the better-known work by Wellington-based Korean artist Samin Son, for example, is the Toothpaste Action Series in which he takes a subversive look at his two years of military service for South Korea. TOOLS OF THE TRADE which opened last night at Paul Nache Gallery curated by Justin Jade Morgan. OPENING: FRIDAY 7 MARCH 2014 6:00PM Exhibition curated by artist Justin Jade Morgan 7-29th March 2014 at PAULNACHE Upstairs 89 Grey Street Gisborne (NZ) Featuring Judy Millar, Rohan Wealleans, Ryan Ballinger, Gary Peters, Reuben Paterson, Roger Boyce, Tiffany Singh, Mark Harvey, Samin Son, Marc Freeman, Sanjay Theodore, Bevan Shaw, Raewyn Turner, Scott Gardiner, Hye Rim Lee, Shannon Novak, Ben Pearce, Janine Randerson, Marie Shannon, Douglas Stichbury, Ian-John Hutchinson, Zena Elliot, Chris Wells, Evan Woodruffe, Matt Arbuckle, Ben Pearce, Otis Frizzell, Sian Torrington, Megan Dunn, Michelle Osbourne, Juan Ford, David Creed, Angela Rossitto, Shane McGrath, Matt Couper, Brydee Rood, James R Ford, Mark Curtis, Mike Weston, White Fungus, Sonya Lacey, Ged Guy, Jamie Chapman, Diane Scott, Anne-Marie Jean, Glen Burrell, Denise, Batchelor, Paul Walsh, Isla Osborne, Carman Rogers, Ian Clothier, Teresa Goodin, Rozanna Lee, Matt Dowman, Douglas Stichbury, Amber Pearson, Glen Snow, Tony Nicholls, Josephine Cachemaille and more...! How often do we think about the actual tool or tools that the artist/maker has used to construct their work? TOOLS OF THE TRADE is a collaborative project where participating creative’s have been invited to present their tools in a physical and or digital form to allow each of us the chance to engage in the process of forming a new network of understandings and relationships about the artists working process. Starting with creative’s who have links to New Zealand with the view to expanding beyond, artist and curator Justin Jade Morgan seeks to address the disparity between artworks and the tools that create them by elevating selected working tools from a creative’s studio, an archive or even a galleries inventory into an exhibitive context.
Posted on: Sun, 09 Mar 2014 01:00:19 +0000

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