Song Of The Day. Flying is an instrumental by the Beatles which first appeared on the 1967 Magical Mystery Tour release (two EP discs in the United Kingdom, an LP in the United States). It is one of the very few songs written by all four of the Beatles: John Lennon, Paul McCartney, George Harrison, and Ringo Starr. The first instrumental written by the Beatles since 12-Bar Original in 1965, this was the first song to be credited as being written by all four members of the band with the writing credits of Harrison/Lennon–McCartney/Starkey. It was recorded on 8 September 1967 with mellotron, guitar, bass, maracas, drums, and tape loops overdubs on 28 September. Flying was originally titled Aerial Tour Instrumental, The end of the recording originally included a fast-paced traditional New Orleans jazz-influenced coda, but this was removed and replaced with an ending featuring tape loops created by John Lennon and Ringo Starr during the 28 September session. The loops initially made the song last 9 minutes 38 seconds, but the track was cut down to only 2 minutes 17 seconds. Part of the loops were used alongside an element of the ending jazz sequence to make The Bus, an incidental piece used at various points, for the TV movie. On the track as recorded and officially released, Lennon plays the main theme on mellotron, accompanied by McCartney and Harrison (both on guitars, plus a later bass overdub) and Starr (on maracas and drums). All four Beatles sing the melody without lyrics of any kind, and the track fades in an assortment of tape effects created by Lennon and Starr. This released version is identical to that heard on the soundtrack of the Magical Mystery Tour film; the music is accompanied in the film by colour-altered images of landscape in Iceland taken from an aeroplane. A different version can be found on some Beatles bootleg albums (such as Back-track 1), and features added Hammond organ and strange whistling noises in the early parts of the track. The jazz-influenced ending is also present on this version, which is slightly shorter, clocking in at around 2:08. This coda, which Mark Lewisohn speculated was seemingly copied straight from an unidentifiable modern jazz record, was in fact played on a mellotron. (In addition to the familiar samples of instruments playing single notes, mellotrons had entire banks of a pop orchestra playing popular styles of music, with optional accompaniment. The piece here was played with the Dixieland Rhythm Mellotron setting.) youtube/watch?v=qFrpclWP3eQ
Posted on: Sun, 24 Nov 2013 14:11:49 +0000
Trending Topics
Recently Viewed Topics
© 2015