THE FORMATION OF THE BEATLES: 1957–62: formation, Hamburg, and UK popularity In March 1957, John Lennon, then aged sixteen, formed a skiffle group with several friends from Quarry Bank school. They briefly called themselves the Blackjacks, before changing their name to the Quarrymen after discovering that a respected local group was already using the other name.[3] Fifteen-year-old Paul McCartney joined as a rhythm guitarist shortly after he and Lennon met that July.[4] In February 1958, McCartney invited his friend George Harrison to watch the band. The fourteen-year-old auditioned for Lennon, impressing him with his playing, but Lennon initially thought Harrison was too young to join. After a month of Harrisons persistence, they enlisted him as their lead guitarist.[5][6] By January 1959, Lennons Quarry Bank friends had left the group, and he began studies at the Liverpool College of Art.[7] The three guitarists, billing themselves at least three times as Johnny and the Moondogs,[8] were playing rock and roll whenever they could find a drummer.[9] Lennons art school friend Stuart Sutcliffe, who had recently sold one of his paintings and purchased a bass guitar, joined in January 1960, and it was he who suggested changing the bands name to Beatals as a tribute to Buddy Holly and the Crickets.[10] They used the name through May, when they became the Silver Beetles, before undertaking a brief tour of Scotland as the backing group for pop singer and fellow Liverpudlian Johnny Gentle. By early July, they changed their name to the Silver Beatles and by the middle of August to the Beatles.[11] Allan Williams, the Beatles unofficial manager, arranged a resident band booking for them in Hamburg, but lacking a full-time drummer they auditioned and hired Pete Best in mid-August. The band, now a five-piece, left four days later, contracted to club owner Bruno Koschmider for what would be a 3½-month residency.[12] Beatles historian Mark Lewisohn wrote, They pulled into Hamburg at dusk on 17 August, the time when the red-light area comes to life ... flashing neon lights screamed out the various entertainment on offer, while scantily clad women sat unabashed in shop windows waiting for business opportunities.[13] Koschmider had converted a couple of strip clubs in the district into music venues, and he initially placed the Beatles at the Indra Club. After closing the Indra due to noise complaints, he moved them to the Kaiserkeller in October.[14] When he learned they had been performing at the rival Top Ten Club in breach of their contract, he gave the band one months termination notice,[15] and reported the underage Harrison, who had obtained permission to stay in Hamburg by lying to the German authorities about his age.[16] The authorities arranged for Harrisons deportation in late November.[17] One week later, Koschmider had McCartney and Best arrested for arson after they set fire to a tapestry on the wall in their room; the authorities deported them.[18] Lennon returned to Liverpool in early December, while Sutcliffe remained in Hamburg through late February with his German fiancée Astrid Kirchherr,[19] who took the first semi-professional photos of the Beatles.[20] During the next two years, the Beatles were resident for periods in Hamburg, where they used Preludin both recreationally and to maintain their energy through all-night performances.[21] In 1961, during their second Hamburg engagement, Kirchherr cut Sutcliffes hair in the exi (existentialist) style, later adopted by the other Beatles.[22][23] When Sutcliffe decided to leave the band early that year and resume his art studies in Germany, McCartney took up the bass.[24] Producer Bert Kaempfert contracted what was now a four-piece group through June 1962, and he used them as Tony Sheridans backing band on a series of recordings.[25][nb 1] After completing their second Hamburg residency, the Beatles enjoyed increasing popularity in Liverpool, particularly in Merseyside, with the growing Merseybeat movement. However, they were also growing tired of the monotony of numerous appearances at the same clubs night after night.[27] In November, during one of the groups frequent appearances at the Cavern Club, they encountered Brian Epstein, a local record store owner and music columnist.[28] He later recalled, I immediately liked what I heard. They were fresh, and they were honest, and they had what I thought was a sort of presence ... [a] star quality.[29] Epstein courted the band over the next couple of months, and they appointed him manager in January 1962.[30] After an early February audition, Decca Records rejected the band with the comment Guitar groups are on the way out, Mr. Epstein.[31][nb 2] Tragedy greeted them upon their return to Germany in April, when a distraught Kirchherr met them at the airport with news of Sutcliffes death the previous day from what would later be determined a brain haemorrhage.[33] The following month, George Martin signed the Beatles to EMIs Parlophone label.[33] A flight of stone steps leads from an asphalt car park up to the main entrance of a white two-story building. The ground floor has two sash windows, the first floor has three shorter sash windows. Two more windows are visible at basement level. The decorative stonework around the doors and windows is painted grey. Abbey Road Studios main entrance The Beatles-Platz in Hamburg Martins first recording session with the Beatles took place at EMIs Abbey Road Studios in London on 6 June 1962.[34] Martin immediately complained to Epstein about Bests poor drumming and suggested they use a session drummer in his stead.[35] Already contemplating Bests dismissal,[36] the Beatles replaced him in mid-August with Ringo Starr, who left Rory Storm and the Hurricanes to join them.[34] A 4 September session at EMI yielded a recording of Love Me Do featuring Starr on drums, but a dissatisfied Martin hired drummer Andy White for the bands third session a week later, which produced recordings of Love Me Do, Please Please Me and P.S. I Love You.[34] Martin initially selected the Starr version of Love Me Do for the bands first single, though subsequent re-pressings featured the White version, with Starr on tambourine.[34] Released in early October, Love Me Do peaked at number seventeen on the Record Retailer chart.[37] Their television début came later that month with a live performance on the regional news programme People and Places.[38] A studio session in late November yielded another recording of Please Please Me,[39] of which Martin accurately predicted, Youve just made your first No.1.[40] In December 1962, the Beatles concluded their fifth and final Hamburg residency.[41] By 1963, they had agreed that all four band members would contribute vocals to their albums—including Starr, despite his restricted vocal range, to validate his standing in the group.[42] Lennon and McCartney had established a songwriting partnership, and as the bands success grew, their dominant collaboration limited Harrisons opportunities as a lead vocalist.[43] Epstein, in an effort to maximize the Beatles commercial potential, encouraged them to adopt a professional approach to performing.[44] Lennon recalled him saying, Look, if you really want to get in these bigger places, youre going to have to change—stop eating on stage, stop swearing, stop smoking.[31] Lennon said, We used to dress how we liked, on and off stage. Hed tell us that jeans were not particularly smart and could we possibly manage to wear proper trousers, but he didnt want us suddenly looking square. Hed let us have our own sense of individuality.[31]
Posted on: Mon, 04 Nov 2013 18:37:08 +0000
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