The Great African-American Classical Art-Form Inner Urge open.spotify/user/121809214/playlist/48ObJqOKoFrcN0ePbGdAnt Joe Henderson (April 24, 1937 – June 30, 2001) was an African-American Classical tenor saxophonist, composer. In a career spanning more than forty years Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note. Early life: From a very large family with five sisters and nine brothers, Henderson was born in Lima, Ohio, and was encouraged by his parents and older brother James T. to study music. He dedicated his first album to them for being so understanding and tolerant during his formative years. Early musical interests included drums, piano, saxophone and composition. According to Kenny Dorham, two local piano teachers who went to school with Hendersons brothers and sisters, Richard Patterson and Don Hurless, gave him knowledge of the piano. He was particularly enamored of his brothers record collection. It seems that a hometown drummer, John Jarette, advised Henderson to listen to musicians like Lester Young, Stan Getz, Dexter Gordon and Charlie Parker. He also liked Flip Phillips, Lee Konitz and the Jazz at the Philharmonic recordings. However, Parker became his greatest inspiration. His first approach to the saxophone was under the tutelage of Herbert Murphy in high school. In this period of time, he wrote several scores for the school band and rock groups. By eighteen, Henderson was active on the Detroit jazz scene of the mid-50s, playing in jam sessions with visiting New York stars. While attending classes of flute and bass at Wayne State University, he further developed his saxophone and compositional skills under the guidance of renowned teacher Larry Teal at the Teal School of Music. In late 1959, he formed his first group. By the time he arrived at Wayne State University, he had transcribed and memorized so many Lester Young solos that his professors believed he had perfect pitch. Classmates Yusef Lateef, Barry Harris and Donald Byrd undoubtedly provided additional inspiration. He also studied music at Kentucky State College. Shortly prior to his army induction in 1960, Henderson was commissioned by UNAC to write some arrangements for the suite Swings and Strings, which was later performed by a ten-member orchestra and the local dance band of Jimmy Wilkins. Early career: He spent two years (1960–1962) in the U.S. Army: firstly in Fort Benning, where he even competed in the army talent show and won the first place, then in Fort Belvoir, where he was chosen for a world tour, with a show to entertain soldiers. While in Paris, he met Kenny Drew and Kenny Clarke. Then he was sent to Maryland to conclude his draft. In 1962, he was finally discharged and promptly moved to New York. He first met trumpeter Kenny Dorham, an invaluable guidance for him, at saxophonist Junior Cooks place. That very evening, they went see Dexter Gordon playing at Birdland. Henderson was asked by Gordon himself to play something with his rhythm section; needless to say, he happily accepted. Although Hendersons earliest recordings were marked by a strong hard-bop influence, his playing encompassed not only the bebop tradition, but R&B, Latin and avant-garde as well. He soon joined Horace Silvers band and provided a seminal solo on the jukebox hit Song for My Father. After leaving Silvers band in 1966, Henderson resumed freelancing and also co-led a big band with Kenny Dorham. open.spotify/user/121809214/playlist/48ObJqOKoFrcN0ePbGdAnt
Posted on: Sat, 08 Mar 2014 22:59:36 +0000