The New York Times has a good review the new Daniel Lanois album Flesh And Machine. The album’s most bracing moment arrives early, with “The End,” featuring a heated free improvisation by the drummer Brian Blade, against crashing waves of distorted guitar. It’s one of the handful of moments when you feel the presence of human variability on the album — and a good advertisement for the tour on which Mr. Lanois is about to embark.
Posted on: Tue, 28 Oct 2014 15:00:01 +0000
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