The city of Bani Walid. «Museum» Libyan old - TopicsExpress

The city of Bani Walid. «Museum» Libyan old sculpture Hayat-filled valleys town of Bani Walid and their Libyan art, from sculpture to obelisks to patterns, distributed this immense heritage of art in nature and deals with the population in this vast expanse of Libya as a legacy. Bani Walid had located in the North-West of Tripoli, Libya from about 180 km in a south-easterly direction, three centuries of cultural prosperity from the second century to the fourth and most important stores that civilization can we call civilization boundaries». Founded by the Romans in order to secure the coast cities they occupy (Leptis Magna and sabratha OIA) what they called «fire» belts and defensive lines against Libyan attacks on those cities. The task force took Augusta to do so established points watchdog and dug wells, built a fortified farm «» managed by retired officers and soldiers engaged in agriculture days peace and believe the Libyan tribes attacks until supply of Leptis Magna days war. They could report on any attack in less than an hour, the distribution of points Guard deployed between mane and Bani Walid in the vicinity of 100 kilometres, without movement, dont bother, they sent the warning over media day and torches at night, move the message from the point guard to the next until the outskirts of Leptis Magna. Seen in that period flourished after land reclamation and numerous wells and streams for water distribution between those farms and barns are built to store barley and wheat, the major products of the agricultural boundaries. Kersh in Bani Walid had become the capital of the frontier, the great Renaissance witnessed its effects still remain to this day. Although Roman rule, enjoyed kersh and borders overlooking the Libyan desert, between the cities of North port and Roman Libya tribes in the South, local wisdom customs of local populations and traditions. In frontier areas, kersh and flourished local religions and their symbols «krzil» and «Libyan» Amon. The industry turned into statues and icons to the profession and art of some inhabitants of the NIF boundaries, and filming «krzil» in the form of a bull. Bani Walid Museum preserves one of those statues, dating from the fourth century CE. The details of everyday life, images of Bani Walid carvers in that period, tillage with camels and palm trees and reaping the harvest of wheat and barley are all carved those Libyan artists carefully and that was marred by some rough. Their mission was to build obelisks and decorated with fish and Palm fronds. Obelisks are scattered in the valleys of the Bani Walid, reefs and some height 6 m, taking the form of a triangle, and the most colossal Djinn baetyli the fill up with Earth. Manifestations and rituals of mourning and burial details carved across three centuries kersh artists. The Mourner is the carved work depicting the ritual scars and lament the dead and bemoaning the women appear topless headers they heaping dirt on top of their regret over the dead. This weather has been practiced in Bani Walid until ends of the 20th century. Approaching the Libyan sculpture sculpture Phoenician and Roman impact does not seem it despite diligent and sophisticated sculpture movement that existed in that period in Leptis Magna and sabratha OIA (Tripoli). The sculpture depicts the Libyan customs, traditions and social activities and beliefs of the Libyan and many of which are still accessible even today, only rarely free of symbols or icons. What is striking is the total rupture with the artistic and cultural heritage so important in modern Libya, educators, artists, and their habitats, which are not seen in Libya but this terrible cultural vacuum and delivered without bothering with a stable and civilized areas for thousands of years korfelh (Bani Walid) reported shepherds, rested from the trouble of researching and understanding the particular civilization scattered across the reef Bani Walid and locals call rich treasures.