The raves are rising while the viewers keep coming to the theaters to see how Percival Intalans Dementia is making waves with the critics, such as this one: Nora Aunor’s turn in Dementia is more of a reminder how innately gifted she is as a thespian. This reminder is what fuels her here. See how she conveys myriad of emotions in one scene when she finally remembers the memory she is trying to erase, all done with economy of facial movement, leaving the eyes – those eyes! – be, just be, to do what they do best alone… Writer Renei Dimla is meticulous, churning out screenplays whose sequences are long, and within each are mundane activities suggesting passage of time... Perci Intalan is precise down to the dot, his achievement here are his pacing and control of the material, so unbelievable for a first-time helmer... He is a visual storyteller, knowing when to pan the camera, when to shoot a scene steadily, when to cut in the middle of the scene to show another telling angle... Such precisions of blocking are ample throughout the film you sometimes remember Carlitos Siguion- Reyna, only that Intalan is subtle and realistic, like Jeffrey Jeturian. Dementia wraps up effectively with the best scene yet… (To read the full review, click the link below: tablestretcher.wordpress/2014/09/29/dementia-perci-intalan-2014/)
Posted on: Mon, 29 Sep 2014 08:01:39 +0000
Trending Topics
Recently Viewed Topics
© 2015