m.youtube/watch?v=g98_zh76Kpszh76Kps. Sleeping - TopicsExpress



          

m.youtube/watch?v=g98_zh76Kpszh76Kps. Sleeping Beauty Composition history Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of Undine. It was later decided that Charles Perraults La Belle au bois dormant would be the story for which Tchaikovsky would compose the music for the ballet. Tchaikovsky did not hesitate to accept the commission, although he was aware that his only previous ballet, Swan Lake, met with little enthusiasm at that stage of his career. The ballet scenario that Tchaikovsky worked on was based on the Brothers Grimms version of Perraults work entitled Dornröschen. In that version, the Princesss parents (the King and the Queen) survived the 100-year sleep to celebrate the Princesss wedding to the Prince. However, Vsevolozhsky incorporated Perraults other characters from his stories into the ballet, such as Puss in Boots, Little Red Riding Hood, Cinderella, Bluebird, Ricky of the Tuft and Tom Thumb. Other french fairy tale characters to be featured are Beauty and the Beast, Pretty Goldilocks and The White Cat. Regardless, Tchaikovsky was happy to inform the Director of the Imperial Theatre that he had great pleasure studying the work and had come away with adequate inspiration to do it justice.[citation needed] The choreographer was Marius Petipa, ballet master of the Imperial Ballet, who wrote a very detailed list of instructions as to the musical requirements. Tchaikovsky worked quickly on the new work at Frolovskoye; he began initial sketches in the winter of 1888 and began orchestration on the work on 30 May 1889. The ballets focus was undeniably on the two main conflicting forces of good (the Lilac Fairy) and evil (Carabosse); each has a leitmotif representing them, which run through the entire ballet, serving as an important thread to the underlying plot. Act III of the work, however, takes a complete break from the two motifs and instead places focus on the individual characters of the various court dances.
Posted on: Thu, 20 Mar 2014 06:34:21 +0000

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