Aint Aint Aint wi4jq5n f3mx10mc7 k2njhn bvkgmhy39. One of the best stores for me ===>>> tinyurl/r79me46k3rg9rw/49-5621 Read also -> The last installment of Tim Fites Aint trilogy finds him cutting and pasting musical segments to create song collages as usual, and after spending four laborious years piecing Aint Aint Aint together, it comes as no surprise that it is his most complicated conception. But it is also his most genre specific. There has been a logical transition over the course of the last three albums. 2005s Gone Aint Gone involved raw samples and rap, 2008s Fair Aint Fair found Fite blending record samples with organic instrumentation provided by his friends. For his 2012 release, he went a trickier route, and instead of digging through his hard drive library of samples, he recorded several days worth of sessions with his musician friends -- collecting individual bass guitar notes, guitar licks, percussion fills, and assorted junkyard noises -- before he dissected them into bits and then pieced them together slice by slice into polished little tunes. However, rather than sounding like an ambitious sonic experiment in deconstruction, there is a distinct alternative singer/songwriter feel to the album. Almost as if the material was written on acoustic guitar and then overdubbed with Fites tuneful voice, synth sounds, and a big chamber pop band. Idiosyncratic as it seems on paper, Aint Aint Aint isnt a far cry from the multi-tracked folk pop of Badly Drawn Boy or Cloud Cult. Not only are the songs so perfectly patched that its hard to tell they were ever fractured, but in the age of Pro-Tools editing, they seem like relatively standard pop songs. Jason Lymangrover, Rovi (u27a5e0fu, zr1sv5, lz1ctd40) Disclosure: bit.ly/Z8e9z6
Posted on: Fri, 05 Sep 2014 08:26:47 +0000
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