BIRDMAN (2014) “Theatrical” is the word I would use to describe Birdman. (“Pretentious” is one that less impressed critics would give it.) Most of the action of this dark comedy takes place in a theater, as our has-been protagonist attempts to jumpstart his career on Broadway. But the reason I used this word is a result of the one camera focus - using one long, continuous take - and the almost improvised and organic feel to the dialogue. The soundtrack consists mostly of restless jazz percussion and the audience gets a real feel and flavor for Manhattan (which are two things the film has in common with Whiplash). Michael Keaton returns to a starring role as a sympathetic, humorous, and self-absorbed person. He seems to enjoy himself and all the neuroses his character carries with him. Honorable mentions are in order for Emma Stone, Edward Norton, and Zach Galifianakis. There are also elements of magical realism, with flights of fancy and telekinesis showing up randomly. How literal these moments are to be taken is up to the interpretation of the viewer and this feeds into the ambiguous, but emotionally satisfying ending. This could well end up a best picture nominee with some nods for performances and more importantly, it is a pleasant character study unafraid to satirize the entertainment industry and artistic integrity. -Joshua Wayne Sheetz aka The Goddamn Batman youtube/watch?v=0PdLmZG_6ZE
Posted on: Sat, 22 Nov 2014 01:45:46 +0000
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