Composers are best understood in the light of their distinctive combination of neo-Fregeanism about content and Wittgensteinianism about rule-following. The Fregean part is there to warrant that reasons are objective, the Wittgensteinian move is to account for our gasping (and perhaps, grasping Instrumental reasoning can be explained — either in terms of it being constitutive of the very notion of having an end, or solely in terms of instrumental considerations. Improvisation, perspectivisation and elementary birthing…
Posted on: Fri, 03 Oct 2014 23:09:40 +0000
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