Khayal was popularized by Niyamat Khan (a.k.a. Sadarang) and his nephew Firoz Khan (a.k.a. Adarang), both musicians in the court of Muhammad Shah Rangile (1719–1748). It seems likely that khyal already existed at the time, although perhaps not in the present form.[2] The compositions of Sadarang and Adarang employ the theme of Hindi love-poetry. The khyal of this period also acquired the dignity of Dhrupad and the manner of the veena in its glide or meend, plus a number of musical alankars that were introduced into the body of the composition[citation needed]. The gharana system arose out of stylistic rendering of the khyal by various subsequent generations of musicians. The gharanas have distinct styles of presenting the khyal — how much to emphasize and how to enunciate the words of the composition, when to sing the sthayi and antara, whether to sing an unmetered alap in the beginning, whether to do bol-alap or aakar-alap, what kinds of improvisations to use, how much importance to give to the rhythmic aspect, and so on. en.wikipedia.org/wiki/Khyal
Posted on: Fri, 16 Jan 2015 00:03:31 +0000
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