Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128hz” claims conclusive evidence that 440Hz and raising concert pitch above scientific “C” Prime=128hz (Concert A=432hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. Some audiophiles have also reported that A=432Hz music seems to be non local and can appear to fill a room, whereas A=440Hz can perceived as directional or linear in sound propagation. Raising concert pitch may cause stress or warping of acoustic instruments and may seriously damage a singers vocal chords according to some professional opera singers. Maria Renold’s book is a wealth of information on not only A=432Hz, “C” prime 256Hz and 128Hz, but also a new way to tune instruments to A=432Hz which is the 12 true fifths tuning method (12T5). This harmonic alternative allows C prime 256Hz to align with A=432Hz whereas other harmonic intonations do not.
Posted on: Fri, 27 Sep 2013 00:22:11 +0000
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