So. Here now are two afters-and-befores. This is the result of a - TopicsExpress

So. Here now are two afters-and-befores. This is the result of a completely digital version of Michael Orton’s original photographic effect, with: - the use of just one photographic shot - processed into four different components, different by magnification only - each of these then color-adjusted and overlaid, one atop each other, with offsetting Masks - in these two cases the Masks were simply auto-generated (in Photoshop). Why bother? To present a scene more as the eye would glimpse it (rather than just as the technology-of-the-camera has captured it.)

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