The 1947 HUAC [House Un-American Activities Committee] hearings, writes the blog Aphelis, led to “the systematic blacklisting of Hollywood artists.” Among the witnesses deemed “friendly” to capitalism were Gary Cooper, Walt Disney, and Ayn Rand. Prior to her testimony, the FBI had consulted Rand for an enormous, 13,533-page report entitled “Communist Infiltration of the Motion Picture Industry” (find it online here), which quoted from a pamphlet published by her group: The purpose of the Communists in Hollywood is not the production of political movies openly advocating Communism. Their purpose is to corrupt non-political movies — by introducing small, casual bits of propaganda into innocent stories and to make people absorb the basic principles of Collectivism by indirection and implication. Few people would take Communism straight, but a constant stream of hints, lines, touches and suggestions battering the public from the screen will act like drops of water that split a rock if continued long enough. The rock that they are trying to split is Americanism. Rand and her associates helped design a “film regime” that dissected other post-war movies like William Wyler’s The Best Years of Our Lives and George Cukor’s Keeper of the Flame. These McCarthy-era film critics sought to root out “ideological termites” in the industry; they were especially distrustful of movies that elevated what Rand called, with contempt, “the little man.” One of the films identified as particularly pernicious to the “rock” of Americanism was Frank Capra’s classic It’s a Wonderful Life, a movie that today seems built on bedrock U.S. nationalist values—commitment to family, redemption through faith, contentment with modest small-town living….
Posted on: Thu, 25 Dec 2014 16:44:18 +0000
Trending Topics
Recently Viewed Topics
© 2015