The concept of beauty in art when the Greeks Collect the old concept of beauty in art between (Artist - Producer) on the basis that both of them distinguished by the skill and workmanship, as was the engineering and many of the industries and occupations fall under the name of (art) Then he (Aristotle) has developed a definition is intended to distinguish between (Fine Arts) (Arts and utilitarian) The Greeks knew that the beautiful thing that is available in the relationships and ratios represent a complete model One of these ratios (Golden sector) which is achieved when the ratio between the smallest and the largest equal to the ratio between the bulk and All, for example, 5:8 - 8:13 to 13:21 And this is the definition of beauty according to the ancient Greeks thought that the ideal and logical mathematical relations are doomed fixed, depending on experience and visual artist regulates relations aesthetically, so that the parts related to each other And this was the principle of beauty in art when the Greeks understood through harmony and order, proportionality and balanced form [b] theory simulation · Simulation is trilling literal experience the usual topics and unfolding curse substantive theme is similar to the model that accurately located outside the work of art that simulated · Permission Vamahakah similar means any work of art similar to something we know · If we raised the issue of simulation for discussion youll discover that there are problems in the definition of art from the entrance to what? · We have seen in the works of modern art that many were rejected because the audience connoisseurs do not see any indication of where the suggestive fact, the visual elements around them, and also does not reveal the artwork on any subject can be recognized at all · On the contrary, the photography, which draws attention to is the one that Aahla elements of nature · The simulation confirmed the concept of this portal artist (Leonardo Da Vinci), who says that the greatest paintings photography is the closest resemblance to the thing photographer · So the situation is aesthetic between the artwork and the viewer according to this theory will be focused on the identification of the original model, which simulated the artwork So Responding aesthetic will be directed to (subject) if the subject was clear as far as reasonable where the viewer can say (here it is) is in this case the subject unit is the one that captures the realization scenes without there being any effective role for the construction of plastic and connotations emotional imaginary [/ b] Simulation substance (Aristotle) or natural realism When Aristotle simulation is presented in this selection as a giant step towards the clarification of the nature of the beautiful art that do not ask him to be echoed literally or just be a copy And that philosophy has influenced so long a period of classical belonging, which extends until 1750 Aristotles Philosophy of Art Aristotle was unlike Plato Art is a dual function: · It mimics nature and then transcend them and not when Aristotle transport simulation of the appearance of things as sensory actually look like a photographic Indeed, it must be simulated in art depiction of inner reality ...... and this gives us the art form derived from the laws that control of Nature Biomimicry when Plato and Aristotle: Both Plato and Aristotle says that art imitates nature, but there is a difference between the two positions position of Aristotle to see a trend to reality and also to imitate reality, but the amendment showing the effect of workmanship art as if there is interference to personal artist in order to highlight actually be closer to the beauty and perfection of mental health .... If ...... The difference between Plato and Aristotle, Platos position can be called a substantive position the ideal position Aristotle Ventaleg attic substantive position unrealistic
Posted on: Wed, 23 Jul 2014 18:21:16 +0000
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