The directorial duo, working along with director of photography Mahlon Todd Williams visually deliver. Lighting choices are inspired, and the subsequent fluorescent world in which See No Evil 2 plays out is a tangibly claustrophobic one. The Soska sisters use this to their advantage, directorially teasing us with a ‘what’s behind the corner’ approach, and in this their knowledge of the slasher sub-genre is readily apparent. Thusly, scripted scenes all too familiar are at times infused with the pair’s creative subversion, and others are quite simply artistically enlivened, from the dream-like crash of a shelf of formaldehyde jars to a final act tableau that smartly forces the audience to re-think the violence which they’ve just witnessed. It’s in these moments that the Soska’s sure-fire hands can be felt. best-horror-movies/review?name=see-no-evil-2-2014-review
Posted on: Fri, 17 Oct 2014 08:38:45 +0000
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