There have been other metal bands that have incorporated country elements and themes into their sound, but seldom has it been done as seamlessly as Volbeat does it on Outlaw Gentlemen & Shady Ladies. Its a fantastic blend of thrashing guitars, mournful freight-train harmonicas and Ennio Morricone moments that wouldnt have been out of place in a 1960s Clint Eastwood spaghetti western. Just as he elevated Anthraxs last few albums with a deft hand at the producers desk and an even defter one on lead guitar, so Rob Caggiano turns this album into something special. Take, for example, the emotional lead line that begins Cape Of Our Hero or screeching solo on Room 24, which matches the earsplitting screams of guest vocalist King Diamond. Little wonder that he became a full-fledged band member in the wake of recording Outlaw Gentlemen ... Not that the rest of the guys dont do their part. Michael Poulsens driving rhythm guitar combines with Caggianos lead line perfectly on the intro of The Hangmans Body Count, and his vocals seldom disappoint. Its particularly fun to hear him trade verses with Sarah Blackwood of Dubstar on Lonesome Rider, which features an almost mariachi feel in the opening. Its also got a great bouncy drum line from Jon Larsen. Even the most perfect diamond has a flaw or two. This discs biggest one is that it goes on a little too long. Excising a lesser track like the poppy My Body might have been a good choice. I mightve changed the sequencing to end with the more driving Doc Holiday rather than the slower Our Loved Ones, but thats getting into real minutia in terms of complaints. Volbeat has created a potent batch of musical moonshine on Outlaw Gentlemen & Shady Ladies. That banjos and harmonicas fit in so well amid the metal crunch is a testament to the songwriting, production and performing talent that went into this onevinylrecords.ca/volbeat-outlaw-gentlemen-shady-ladies-heavy-metal-p-16927.html
Posted on: Wed, 09 Apr 2014 23:49:40 +0000
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