"Was the ending Two-Lane Blacktop with a burning film shot also a difficult decision? All those things are difficult decisions, because they’re just a way that you know what you’re doing is taking the audience out of the movie and making them aware that they’re watching a movie. And it’s one of those things you try to avoid. And in Road to Nowhere, it just came with the territory. There’s just so much of that within the movie where you stop and say, “Hey, don’t believe this. It’s only a movie.” And what’s amazing to me was to see how strong our need is to believe when we’re watching a movie. And even though we keep taking the audience out, as soon as it starts again, they are caught up in it instantly. It’s a phenomenal psychological effect. And we’re just so conditioned to going into a dark room, and the lights go out, and we see these images. And we believe because we want to believe. We want to have this experience."
Posted on: Sun, 22 Sep 2013 05:47:58 +0000
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