An unstable, dark and gloomy opening chord somewhere between E flat minor and D minor m which then follow the three beats of the knob on the gong, then flows into the arpeggiated sound as the horns in E flat minor and G minor chords. These arpeggios are very suggestive, transmitting those typical of anxiety butterflies in the stomach of the listener, a kind of allusion to guess that makes this action adventure film from Steven Spielberg. Violins accompany what became of these three arpeggios, also serving passage to a choir that sings glorious voices as coming from heaven in a rebirth of darkness early on, as if from the mouth of hell if expecting something equally unexpected, who would say, a goddess. Who knew immediately afterwards came something much more light and cheerful voice of a goddess from the mouth of a dragon ??? Notwithstanding the slight character of the original theme Anything Goes, the extraordinary orchestral arrangement of John Williams for this song makes it seem otherwise. Successive modulations jazz character, so following a playful musical spirit after literate main theme given in the voice of the singer/actress. These modulations accompany the spectacular cabaret tap. The end of the song is equally impressive, again by the sound of horns this time give a temporary note that appears quite obscure form (similar to the beginning of the song allusion) following passage in a light woodwinds that serves as a bridge between the scene of the tap and the output of the singer. This bridge, if we may so call it, after the last verses not sung, soon leads to a repetition of the last main theme song in metal woodwind family instruments (trumpets) in another tone (A flat Major) that accompanies the singer and dancers from the scene departure to resolve a fast ascending scale od this key in moment when singer and the dancers go up the stairs. Fábio Alves
Posted on: Thu, 28 Aug 2014 15:13:09 +0000
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