Beethoven Violin Concerto Ludwig van Beethovens Violin Concerto in D major, Op. 61, was written in 1806. Performance history Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna, the occasion being a benefit concert for Clement. The first printed edition (1808) was also dedicated to Franz Clement. It is believed that Beethoven finished the solo part so late that Clement had to sight-read part of his performance. Perhaps to express his annoyance, or to show what he could do when he had time to prepare, Clement is said to have interrupted the concerto between the first and second movements with a solo composition of his own, played on one string of the violin held upside down; however, other sources claim that he did play such a piece but only at the end of the performance. The premiere was not a success, and the concerto was little performed in the following decades. The work was revived in 1844, well after Beethovens death, with performances by the then 12-year-old violinist Joseph Joachim with the orchestra conducted by Felix Mendelssohn. Ever since, it has been one of the most important works of the violin concerto repertoire, and is frequently performed and recorded today. Structure The work is in three movements: Allegro ma non troppo (D major) Larghetto (G major) Rondo. Allegro (D major) It is scored, in addition to the solo violin, for flute, and two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, and strings. The first movement starts with four beats on the timpani as the opening notes, and it has a duration of about 25 minutes. The second and third movements last about 10 minutes each. There is no break between the second and third movements. The entire work itself is approximately 45 minutes in duration. Cadenzas Cadenzas for the work have been written by several notable violinists, including Joachim. The cadenzas by Fritz Kreisler are probably most often employed. More recently, composer Alfred Schnittke provided controversial cadenzas with a characteristically 20th-century flavor; violinist Gidon Kremer has recorded the concerto with the Schnittke cadenzas. New Klezmer-inspired cadenzas written by Airat Ichmouratov for Alexandre Da Costa in 2011 have been recorded by the Taipei Symphony Orchestra for Warner Classics. The following violinists and composers have written cadenzas. Leopold Auer Joshua Bell Ferruccio Busoni Stephanie Chase Ferdinand David Isaak Dunayevsky Mischa Elman Carl Flesch Joseph Hellmesberger, Sr. Jenő Hubay Joseph Joachim Fritz Kreisler Christiaan Kriens Ferdinand Laub Hubert Léonard Bernhard Molique Myron Polyakin Manuel Quiroga Camille Saint-Saëns Alfred Schnittke Ödön Singer Henri Vieuxtemps August Wilhelmj Alternative versions Perhaps due to the Violin Concertos lack of success at its premiere, and at the request of Muzio Clementi, Beethoven revised it in a version for piano and orchestra, which was later published as Op. 61a. For this version, which is present as a sketch in the Violin Concertos autograph alongside revisions to the solo part, Beethoven wrote a lengthy, somewhat bombastic first movement cadenza which features the orchestras timpanist along with the solo pianist. This and the cadenzas for the other movements were later arranged for the violin (and timpani) by Max Rostal, Eugène Ysaÿe, Michelangelo Abbado, Christian Tetzlaff and Wolfgang Schneiderhan. More recently, it has been arranged as a concerto for clarinet and orchestra, by Mikhail Pletnev.
Posted on: Fri, 02 Jan 2015 19:36:31 +0000
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