David North on the sinister agenda of the funny magazine: The cynically provocative anti-Muslim caricatures that have appeared on so many covers of Charlie Hebdo have pandered to and facilitated the growth of right-wing chauvinist movements in France. It is absurd to claim, by way of defense of Charlie Hebdo, that its cartoons are all “in good fun” and have no political consequences. Aside from the fact that the French government is desperate to rally support for its growing military agenda in Africa and the Middle East, France is a country where the influence of the neo-fascist National Front is growing rapidly. In this political context, Charlie Hebdo has facilitated the growth of a form of politicized anti-Muslim sentiment that bears a disturbing resemblance to the politicized anti-Semitism that emerged as a mass movement in France in the 1890s. In its use of crude and vulgar caricatures that purvey a sinister and stereotyped image of Muslims, Charlie Hebdo recalls the cheap racist publications that played a significant role in fostering the anti-Semitic agitation that swept France during the famous Dreyfus Affair, which erupted in 1894 after a Jewish officer was accused and falsely convicted of espionage on behalf of Germany. In whipping up popular hatred of Jews, La Libre Parole [“Free Speech”], published by the infamous Edoard Adolfe Drumont, made highly effective use of cartoons that employed the familiar anti-Semitic devices. The caricatures served to inflame public opinion, inciting mobs against Dreyfus and his defenders, such as Emile Zola, the great novelist and author of J’Accuse.
Posted on: Tue, 13 Jan 2015 07:03:43 +0000
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