Favoring extended slow-motion tracking shots—like a sequence from Tarkovsky at one-eighth speed—[Claudia] Joskowicz seems to eschew a singular, authorial point of view, writes Christopher Michno for Artillery Magazine. Her dispassionate distance emphasizes the domain of memory, examining the underpinnings of narrative, and allows the engaged viewer to contemplate questions of relative perspective, the origins of legend, disputes over veracity, and socio-political structures shaping modern Europe. Read Michnos full review of Claudia Joskowicz: Sympathy for the Devil, recently on view as part of CMP Projects, at artillerymag/claudia-joskowicz/
Posted on: Wed, 07 May 2014 18:38:05 +0000
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