George Perle (May 6, 1915 – January 23, 2009) was a composer and music theorist. Perle was born in Bayonne, New Jersey. He graduated from DePaul University, where he studied with Wesley LaViolette and received private lessons from Ernst Krenek.[1] Perle composed with a technique of his own devising called twelve-tone tonality. This technique was different from, but related to, the twelve-tone technique of the Second Viennese School,[2] of which he was an early admirer and whose techniques he used aspects of but never fully adopted.[3] Perles former student Paul Lansky described Perles twelve-tone tonality thus: Basically this creates a hierarchy among the notes of the chromatic scale so that they are all referentially related to one or two pitches which then function as a tonic note or chord in tonality. The system similarly creates a hierarchy among intervals and finally, among larger collections of notes, chords. The main debt of this system to the 12-tone system lies in its use of an ordered linear succession in the same way that a 12-tone set does.[4] In 1968, Perle cofounded the Alban Berg Society with Igor Stravinsky and Hans F. Redlich, who had the idea (according to Perle in his letter to Glen Flax of 4/1/89[citation needed]). Perles important work on Berg includes documenting that the third act of Lulu, rather than being an unfinished sketch, was actually three-fifths complete and that the Lyric Suite contains a secret program dedicated to Bergs love-affair.[3] After retiring from Queens College in 1985, he became a professor emeritus at the Aaron Copland School of Music.[3] In 1986, Perle was awarded a Pulitzer Prize for Music for his Fourth Wind Quintet and also a MacArthur Fellowship.[3] In about 1989 Perle became composer-in-residence for the San Francisco Symphony, a three-year appointment. It was also around this time that he had published his fourth book entitled The Listening Composer. He died aged 93 in his home in New York City in January 2009.[3] A growing number of younger artists have come to appreciate Perle as a composer ahead of his time and in the run-up to his 100th birthday celebrations the composer-pianist Michael Brown released a well received CD of a sampling of Perles work for piano.[3]
Posted on: Fri, 28 Nov 2014 06:07:16 +0000
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