Lesson #3 WHAT IS BARDO ? ! Bardo From Wikipedia, the free encyclopedia The Tibetan word Bardo means literally intermediate state - also translated as transitional state or in-between state. In Sanskrit the concept has the name antarabhava. Used somewhat loosely, the term bardo refers to the state of existence intermediate between two lives on earth. According to Tibetan tradition, after death and before ones next birth, when ones consciousness is not connected with a physical body, one experiences a variety of phenomena. These usually follow a particular sequence of degeneration from, just after death, the clearest experiences of reality of which one is spiritually capable, to, later on, terrifying hallucinations arising from the impulses of ones previous unskillful actions. For the spiritually advanced the bardo offers a state of great opportunity for liberation, since transcendental insight may arise with the direct experience of reality, while for others it can become a place of danger as the karmically created hallucinations can impel one into a less than desirable rebirth. In the West, the term bardo may also refer to times when our usual way of life becomes suspended, as, for example, when we are on retreat. Such times can prove fruitful for spiritual progress, as external constraints diminish, although they offer challenges because our unskillful impulses can come to the fore, just as in the sidpa bardo. See also Bardo Thodol, Liberation through Hearing in the Intermediate State (misleadingly translated under the title The Tibetan Book of the Dead) describes the experiences of bardo. Bardo Thodol From Wikipedia, the free encyclopedia The Bardo Thodol (Tibetan: ??????????????), Liberation through Hearing in the Intermediate State, traditionally but inaccurately called the Tibetan Book of the Dead, is a funerary text that describes the experiences of the consciousness after death during the interval known as bardo between death and rebirth. The Bardo Thodol is recited by lamas over a dying or recently deceased person, or sometimes over an effigy of the deceased. It has been suggested that it is a sign of the influence of shamanism on Tibetan Buddhism. The name means literally liberation through hearing in the intermediate state. The Bardo Thodol actually differentiates the intermediate states between lives into three bardos (themselves further subdivided): the chikhai bardo or bardo of the moment of death the chonyid bardo or bardo of the experiencing of reality the sidpa bardo or bardo of rebirth. The chikhai bardo features the experience of the clear light of reality, or at least the nearest approximation to it of which one is spiritually capable. The chonyid bardo features the experience of visions of various Buddha forms (or, again, the nearest approximations of which one is capable). The sidpa bardo features karmically impelled hallucinations which eventually result in rebirth. (Typically imagery of men and women passionately intwined.) One can compare the descriptions of the Bardo Thodol with accounts of certain out of the body near-death experiences described by people who have nearly died in accidents or on the operating table - these typically contain accounts of a white light, experienced as, somehow, a living being, and of helpful figures corresponding to that persons religious tradition. The Bardo Thodol also mentions three other bardos: those of life (or ordinary waking consciousness), of dhyana (meditation), and of dream. Thus together the six bardos form a classification of states of consciousness into six broad types, and any state of consciousness forms a type of intermediate state - intermediate between other states of consciousness. Indeed, one can consider any momentary state of consciousness a bardo, since it lies between our past and future existences; it provides us with the opportunity to experience reality, which is always present but obscured by the projections and confusions due to our previous unskillful actions. According to Tibetan tradition, the Bardo Thodol was composed by Padmasambhava, written down by his wife, Yeshe Tsogyal, buried in the Gampo hills in central Tibet and subsequently discovered by a Tibetan terton, Karma Lingpa.
Posted on: Mon, 28 Oct 2013 18:47:28 +0000