MUSIC VS. NOISE PART 3 THE RETUNING OF A-440 TO A-432 The proposition that A 440 should be adjusted back to A 432 (recall that this is classical pitch, not a new idea as many have suggested) is now so common one wonders what the scientific principle supporting this suggestion is, if indeed one exists. Most of the sites online that promote this tuning tend to present very nebulous, “New Age” types of reasons, i.e. the “Chakra Tuning” or some such. While on the surface this may seem naïve or simply trendy, it turns out that an interesting phenomenon exists that supports these types of claims. Whether or not those supporting this adjustment are actually aware of the underlying science is unknown to me, and not of particular relevance per se, but for those who are interested in having actual concrete scientific basis for such proposals, I present the following information. One of the most prominent figures to vocalize reasons for this tuning adjustment was Rudolph Steiner. He warned that using “luciferic brightness” and “arhimanic” tones in music could bring a condensing of greed forces in the west instead of “C” Prime=128hz (Concert A=432hz) which he mentioned was “Christ consciousness” of ascendant energy. Note here that A 432 may be reckoned as a derivation of C 128 – a much more logical proposition, as C is generally considered to be the generative tone in a given octave system. The following is transcribed ( abridged) from OMEGA 432: The science of cymatics which is geometry through vibration was researched and published by Dr. Hans Jenny in 1967, in his book called The Study of Wave Phenomena. Here is a transcript of John’s correspondence; “432 Hertz pops out as a triangle, every time we image it. We thought there was something wrong with the CymaScope™ but after trying for more than an hour we concluded that the number 3 was somehow universally connected to 432 Hertz.” *** “We captured it on video also and it looks like it’s alive, it writhes and pulsates and refuses to take up any other form. We researched the reason why it takes up this geometry and it turns out to be an interesting case: When A is tuned to 432Hz the frequencies of the other A’s shift (within a decimal point) to 27 Hz, 54, 108, 216, 864, 1728 in other octaves. D becomes 576 Hz which becomes 9 Hz, 18, 36, 72, 144, 288, 1152 in other octaves. E becomes 324 Hz which becomes 81 Hz, 162, 648, 1296 in other octaves. All of these frequencies are divisible by 3… Regards, John Stuart Reid.” John had confirmed with his incredible invention the CymaScope™, what seems to be a scientific interpretation of what our separate observations led us to conclusion, that there seems to be an intelligent design of effect in the universe. An engineer called Victor told us last year, that a 53 note temperament scale based on A=432hz pitch goes less than 1 hertz difference out of harmonic synchronicity over the entire 53 note scale, most other pitches are out of sync after only two or three notes up the octave, excited at this observation, the engineer stated that scales tuned to C=256Hz, A=432hz is surely the fingerprint evidence of an intelligent creation. A new quote regarding the amazing properties of 432Hz from John Stuart Reid: “432Hertz is a harmonic of light frequency it ‘speaks’ or ‘resonates’ directly with our cells. All cells communicate with each other via infrared light so I imagine that when they receive music in 432 Hertz they are in joy. The conscious you may not be aware of this, but most of what goes on in our bodies is sub conscious, thankfully! You can read more about how all sounds create infra red light in the physics section of our web site CymaScope™ ” “432 Hertz truly can be considered a harmonic of light. Sound in air may be defined as the transfer …of periodic movements between adjacent colliding atoms or molecules. This sonic energy typically expands away from the site of the collisions–at the local speed of sound–as a spherical or bubble-shaped emanation, the surface of which is in a state of radial oscillation. At the point of origin of the sonic bubble an electromagnetic bubble is created by the collisions between the air molecules, because each collision creates friction that releases a small amount of infrared electromagnetism. That magnetism, like the sonic bubble, expands away from source spherically and it is modulated by the sonic periodicities, in much the same way that an amplitude-modulated radio broadcast consists of an electromagnetic carrier that is modulated in amplitude by, say, a person’s voice frequencies. Thus, the relationship between sound and light is real and very much part of the way that nature works. We cannot talk about the 432 Hertz key note without visualizing a 432 Hertz-modulated infrared light bubble” All tetrahedral logic is based on the triangle and its resulting geometries. In the next installment I will discuss more of the underlying principles of tetrahedral logic and how they apply to the science of asthetica.. Peace.
Posted on: Sat, 14 Sep 2013 23:24:09 +0000
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