On this day in Black History: We celebrate the life of Quincy Jones, born on this day in 1933. Jones, (AKA Q, born March 14, 1933) is an American record producer, conductor, arranger, composer, television producer, film producer, instrumentalist, magazine founder, record company executive, humanitarian, and jazz trumpeter. His career spans six decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991. Quincy Jones was born on the South Side of Chicago to Quincy Delight Jones, Sr. and Sarah Frances Jones (née Wells). His father was a semi-professional baseball player and carpenter from Kentucky; his grandmother was an ex-slave in Louisville. Sarah was a bank officer and apartment complex manager. Quincy had a younger brother Lloyd, later an engineer for the Seattle station, KOMO-TV; he died in 1998. Quincy was introduced to music by his mother who always sang religious songs and by his next door neighbor. When he was five or six there was a lady named Lucy Jackson who played a stride piano next door and he would always listen through the walls. Lucy Jackson recalled that after he heard her that one day she could not get him off her piano if she tried.[8 When the boys were young, their mother suffered from a schizophrenic breakdown and was committed to a mental institution. His father gained a divorce and remarried. Jones stepmother, Elvera, had three children of her own: Waymond, a friend of the young Quincy, Theresa and Katherine. Elvera and Quincy Senior had three more children together through 1950, after they had moved to the Northwest: Jeanette, Margie and Richard, a judge in Seattle, making a total of eight in the family. When Jones was ten, his family moved to Bremerton, Washington, where in 1943 his father got a wartime job at the Puget Sound Naval Shipyard. After the war, the Jones family moved to Seattle, the major regional city with more jobs, where Jones attended Garfield High School near his home. He had discovered music when he was 12 and became more deeply involved in high school, developing his skills as a trumpeter and arranger. Classmates included Charles Taylor, who played saxophone and whose mother, Evelyn Bundy, had been one of Seattles first society jazz-band leaders. The youths began playing with a band. At the age of 14, they were playing with a National Reserve band. Jones has said he got much more experience growing up in a smaller city; otherwise there would have been too much competition. At the age of 14, Jones introduced himself to a 16-year-old musician from Georgia called Ray Charles after watching him play at the Black Elks Club. Jones cites Ray Charles as an early inspiration for his own music career. He noted that Charles overcame a disability to achieve his musical goals. He has credited his fathers sturdy work ethic with giving him the means to proceed and his loving strength with holding the family together. Jones has said his father had a saying: Once a task is just begun, never leave until its done. Be the labor great or small, do it well or not at all. In 1951, Jones won a scholarship to Schillinger House (now Berklee College of Music) in Boston, Massachusetts. He left his studies after he received an offer to tour as a trumpeter with the bandleader Lionel Hampton and embarked on his professional career. While Jones was on the road with Hampton, he displayed a gift for arranging songs. Jones relocated to New York City, where he received a number of freelance commissions arranging songs for artists including Sarah Vaughan, Dinah Washington, Count Basie, Duke Ellington, Gene Krupa, and Ray Charles, by now a close friend. At the age of 19, Jones traveled with Lionel Hampton to Europe and said it turned him upside down, altering his view of racism in the US. It gave you some sense of perspective of past, present and future. It took the myopic conflict between just black and white in the United States and put it on another level because you saw the turmoil between the Armenians and the Turks, and the Cypriots and the Greeks, and the Swedes and the Danes, and the Koreans and the Japanese. Everybody had these hassles, and you saw it was a basic part of human nature, these conflicts. It opened my soul, it opened my mind. In 1956, Jones toured again as a trumpeter and musical director of the Dizzy Gillespie Band on a tour of the Middle East and South America sponsored by the United States Information Agency. Upon his return, Jones signed with ABC-Paramount Records and started his recording career as the leader of his own band. In 1957, Quincy settled in Paris, where he studied composition and theory with Nadia Boulanger and composer Olivier Messiaen. He also performed at the Paris Olympia. Jones became music director at Barclay Disques, the French distributor for Mercury Records. During the 1950s, Jones successfully toured throughout Europe with a number of jazz orchestras. As musical director of Harold Arlens jazz musical Free and Easy, Quincy Jones took to the road again. A European tour closed in Paris in February 1960. With musicians from the Arlen show, Jones formed his own big band, called The Jones Boys, with eighteen artists. The band included double bass player Eddie Jones and fellow trumpeter Reunald Jones, and organized a tour of North America and Europe. Though the European and American concerts met enthusiastic audiences and sparkling reviews, concert earnings could not support a band of this size. Poor budget planning resulted in an economic disaster; the band dissolved and the fallout left Jones in a financial crisis. Quoted in Musician magazine, Jones said about the ordeal, We had the best jazz band in the planet, and yet we were literally starving. Thats when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two. Irving Green, head of Mercury Records, helped Jones with a personal loan and a new job as the musical director of the companys New York division. There he worked with Doug Moody, who founded Mystic Records. In 1964, Jones was promoted to vice-president of Mercury Records, becoming the first African-American to hold this executive position. In that same year, he turned his attention to film scores, another musical arena long closed to African-Americans. At the invitation of director Sidney Lumet, he composed the music for The Pawnbroker (1964). It was the first of his 33 major motion picture scores. Following the success of The Pawnbroker, Jones left Mercury Records and moved to Los Angeles. After his film score for The Slender Thread (1965), starring Sidney Poitier, he was in constant demand as a composer. His film credits in the next five years included Walk, Dont Run (1966), In Cold Blood (1967), In the Heat of the Night, A Dandy in Aspic (both 1968), Mackennas Gold, The Italian Job, Bob & Carol & Ted & Alice, The Lost Man, Cactus Flower (all 1969), and The Getaway (1972). In addition, he composed The Streetbeater, which became familiar as the theme music for the television sitcom Sanford and Son, starring close friend Redd Foxx; he also composed the themes for other TV shows including The Bill Cosby Show, Ironside, and the Goodson & Todman game show Now You See It. In the 1960s, Jones worked as an arranger for some of the most important artists of the era, including Billy Eckstine, Sarah Vaughan, Frank Sinatra, Ella Fitzgerald, Peggy Lee, and Dinah Washington. Joness solo recordings also gained acclaim, including Walking in Space, Gula Matari, Smackwater Jack, Youve Got It Bad, Girl, Body Heat, Mellow Madness, and I Heard That!!. He is known for his 1962 tune Soul Bossa Nova, which originated on the Big Band Bossa Nova album. Soul Bossa Nova was a theme used for the 1998 World Cup, the Canadian game show Definition, the Woody Allen film Take the Money and Run and the Austin Powers film series. It was sampled by Canadian hip hop group Dream Warriors for their song, My Definition of a Boombastic Jazz Style. Jones produced all four million-selling singles for Lesley Gore during the early and mid-sixties, including Its My Party (UK No. 8; US No. 1), Judys Turn To Cry (US No. 5), Shes A Fool (also a US No. 5) in 1963, and You Dont Own Me (US No. 2 for four weeks in 1964). He continued to produce for Gore until 1966, including the Greenwich/ Barry hit Look of Love (US No. 27) in 1965. In 1975, Jones founded Qwest Productions, for which he arranged and produced hugely successful albums by Frank Sinatra and other major pop figures. In 1978, he produced the soundtrack for the musical adaptation of The Wizard of Oz, The Wiz, starring Michael Jackson and Diana Ross. In 1982, Joness produced Michael Jacksons all-time best-selling album Thriller. Joness 1981 album The Dude yielded multiple hit singles, including Ai No Corrida (a remake of a song by Chaz Jankel), Just Once and One Hundred Ways, the latter two featuring James Ingram on lead vocals and marking Ingrams first hits. In 1985, Jones wrote the score for the Steven Spielberg film adaptation of the Pulitzer prize winning epistolary novel The Color Purple by Alice Walker. He and Jerry Goldsmith (from Twilight Zone: The Movie) are the only composers besides John Williams to have scored a Spielberg theatrical film. After the 1985 American Music Awards ceremony, Jones used his influence to draw most of the major American recording artists of the day into a studio to record the song We Are the World to raise money for the victims of Ethiopias famine. When people marveled at his ability to make the collaboration work, Jones explained that hed taped a simple sign on the entrance: Check Your Ego At The Door. In 1988, Quincy Jones Productions joined forces with Warner Communications to create Quincy Jones Entertainment. He signed a ten-picture deal with Warner Brothers and signed a two-series deal with NBC Productions. The television show The Fresh Prince of Bel-Air was completed in 1990, but producers of In the House (from UPN) later rejected its early concept stages. Jones produced the highly successful Fresh Prince of Bel Air (discovering Will Smith); UPNs in the House, and FOXs MadTV—which did 14 seasons on Fox. In the early 1990s, Jones started a huge, ongoing project called “The Evolution of Black Music.” Not only did the Quincy Jones Entertainment Company produce The Fresh Prince of Bel-Air, but it also started a weekly talk show with his friend, Reverend Jesse Jackson, as the host. Starting in the late 1970s, Jones tried to convince Miles Davis to perform the music he had recorded on several classic albums of the 1960s, which had been arranged by Gil Evans. Davis had always refused, citing a desire not to revisit the past. In 1991, Davis, then suffering from pneumonia, relented and agreed to perform the music at a concert at the Montreux Jazz Festival. The resulting album from the recording, Miles & Quincy Live at Montreux, was Davis last released album (he died several months afterward). It is considered an artistic triumph.[16] In 1993, Jones collaborated with David Salzman to produce the concert extravaganza An American Reunion, a celebration of Bill Clintons inauguration as president of the United States. The same year, Jones joined forces with Salzman and renamed his company as Quincy Jones/David Salzman Entertainment (QDE). QDE is a diverse company that produces media technology, motion pictures, television programs (In the House, The Fresh Prince of Bel-Air, and MADtv), and magazines (VIBE and Spin). In 2001, Jones published his autobiography, Q: The Autobiography of Quincy Jones. On July 31, 2007, he partnered with Wizzard Media to launch the Quincy Jones Video Podcast. In each episode, Jones shares his knowledge and experience in the music industry. The first episode features him in the studio, producing I Knew I Loved you for Celine Dion. This is featured on the Ennio Morricone tribute album, We All Love Ennio Morricone. Jones is also noted for helping produce Anita Halls CD, Send Love, which was released in 2009. While working on the film The Wiz, Michael Jackson asked Jones to recommend some producers for his upcoming solo record. Jones offered some names, but eventually offered to produce the record. Jackson accepted and the resulting record Off The Wall ultimately sold about 20 million copies. This made Jones the most powerful record producer in the industry at that time. Jones and Jacksons next collaboration Thriller has sold a reputed 110 million copies and has become the highest-selling album of all time. Jones also worked on Jacksons album Bad, which has sold 45 million copies. Bad was the last time the pair worked together in the studio. Audio interviews with Jones are featured on the 2001 special editions of Off The Wall, Thriller, and Bad. In a 2002 interview, when asked if he would work with Jones again, Jackson suggested he might. But, in 2007, when Jones was asked by NME, he said Man, please! We already did that. I have talked to him about working with him again but Ive got too much to do. Ive got 900 products, Im 74 years old. Following Jacksons death on June 25, 2009, Jones said: I am absolutely devastated at this tragic and unexpected news. For Michael to be taken away from us so suddenly at such a young age, I just dont have the words. Divinity brought our souls together on The Wiz and allowed us to do what we were able to throughout the 80s. To this day, the music we created together on Off The Wall, Thriller and Bad is played in every corner of the world and the reason for that is because he had it all...talent, grace, professionalism and dedication. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. Ive lost my little brother today, and part of my soul has gone with him. In October 2013, it was reported by the BBC that Jones is suing the estate of Michael Jackson for 10 million dollars. Jones says that MJJ Productions, a song company managed by the singers estate and Sony Music Entertainment improperly re-edited songs to deprive him of royalties and production fees and that they broke an agreement giving him the right to remix master recordings for albums released after Jacksons death in 2009. The songs Quincy produced for Michael were used in the film This Is It. Other productions Jones is filing lawsuits against include the works of Michael Jackson Cirque du Soleil and the 25th anniversary edition of the Bad album. Quincy believes he should have received a producer credit in the film. Quincy also claimed he had a bigger part in Jacksons music than everyone thought. Jones first worked with Frank Sinatra in 1958 when invited by Princess Grace to arrange a benefit concert at the Monaco Sporting Club. Six years later, Sinatra hired him to arrange and conduct Sinatras second album with Count Basie, It Might as Well Be Swing (1964). Jones conducted and arranged the singers live album with the Basie Band, Sinatra at the Sands (1966). Jones was also the arranger/conductor when Sinatra, Sammy Davis, Jr., Dean Martin, and Johnny Carson performed with the Basie orchestra in June 1965 in St. Louis, Missouri, in a benefit for Dismas House. The fund-raiser was broadcast to movie theaters around the country and eventually released on DVD. Later that year, Jones was the arranger/conductor when Sinatra and Basie appeared on The Hollywood Palace TV show on October 16, 1965. Nineteen years later, Sinatra and Jones teamed up for 1984s L.A. Is My Lady. Quincy was quoted saying, Frank Sinatra took me to a whole new planet. I worked with him until he passed away in 98. He left me his ring. I never take it off. Now, when I go to Sicily, I dont need a passport. I just flash my ring. A great admirer of Brazilian culture, Jones is planning a film on Brazils Carnival, describing it as one of the most spectacular spiritual events on the planet. The Brazilians Simone, whom he cites as one of the worlds greatest singers,Ivan Lins, Milton Nascimento and Gilson Peranzzetta, one of the five biggest arrangement producers of the world,percussionist Paulinho Da Costa one of the best in the business,have become close friends and partners in his recent works. Jones had a brief appearance in the 1990 video for The Time song Jerk Out. Jones was a guest actor on an episode of The Boondocks. He appeared with Ray Charles in the music video of their song One Mint Julep and also with Ray Charles and Chaka Khan in the music video of their song Ill Be Good to You. Quincy Jones hosted an episode of the long-running NBC sketch comedy show Saturday Night Live on February 10, 1990 (during SNLs 15th season). The episode was notable for having 10 musical guests (the most any SNL episode has ever had in its near-40 years on the air): Tevin Campbell, Andrae Crouch, Sandra Crouch, rappers Kool Moe Dee and Big Daddy Kane, Melle Mel, Quincy D III, Siedah Garrett, Al Jarreau, and Take 6, and for a performance of Dizzy Gillespies Manteca by The SNL Band (conducted by Quincy Jones). Jones impersonated Marion Barry, former mayor of Washington, DC, in the then-recurring sketch, The Bob Waltman Special. Quincy Jones later produced his own sketch comedy show, FOXs MADtv. This competed with SNL from 1995 to 2009. Jones appeared in the Walt Disney Pictures film, Fantasia 2000, introducing the set piece of George Gershwins Rhapsody in Blue. Two years later he made a cameo appearance as himself in the film Austin Powers in Goldmember. On February 10, 2008, Jones joined Usher in presenting the Grammy Award for Album of the Year to Herbie Hancock. On January 6, 2009, Quincy Jones appeared on NBCs Last Call with Carson Daly to discuss various aspects of his prolific career. Daly informally floated the idea that Jones should become the first minister of culture for the United States, pending the inauguration of Barack Obama as President. Daly noted that only the US and Germany, among leading world countries, did not have a cabinet-level position for this role. Commentators on NPR and in the Chronicle of Higher Education have also discussed the topic of a minister of culture. On December 12, 2009, Jones performed at a private reception for USAA employees at the Alamo Dome, in San Antonio, Texas. With the help of the author Alex Haley in 1972 and Mormon researchers in Salt Lake City, Jones discovered that his mothers ancestors included James Lanier, a relative of Sidney Lanier, the poet. Jones said in an interview, He had a baby with my great-grandmother [a slave], and my grandmother was born there [on a plantation in Kentucky]. We traced this all the way back to the Laniers, same family as Tennessee Williams. Learning that the Laniers had been French Huguenot refugee immigrants who had court musicians among their ancestors, Jones attributed some of his musicianship to them. In a 2009 BBC interview, Jones said Haley further helped him learn that his father was of half Welsh ancestry. In 1974, he suffered a life-threatening brain aneurysm, so he decided to cut back on his schedule to spend time with his friends and family. Since his family and friends believed that his life was coming to an end, they started to plan a memorial service for him. He attended his own service with his neurologist by his side in case the excitement overwhelmed him. Some of the singers in his service were Richard Pryor, Marvin Gaye, Sara Vaughn and Sidney Poiter. Jones has been married three times and has had other relationships; he has a total of seven children: • Jeri Caldwell (1957 to 1966); they had a daughter, Jolie Jones (now married and using the surname Levine).[ • Ulla Andersson, Swedish actress, (1967 to 1974); they had two children, Martina and Quincy Jones III; • Peggy Lipton, actress, (1974 to 1990); they had two daughters, Kidada and Rashida Jones, both born in the United States, who have become actresses. • Jones had a brief affair with Carol Reynolds, and they had a daughter, Rachel Jones. • Jones dated and lived with the actress, Nastassja Kinski, from 1991 until 1995. They had a daughter, Kenya Julia Miambi Sarah Jones, born in 1993. For the 2006 PBS television program African American Lives, Jones had his DNA tested and genealogists researched his family history. His DNA admixture revealed he is predominately African and 34% European in ancestry. Research showed that he has English, French and Italian ancestry, with European ancestry in his direct patrilineal line (Y DNA). Through his direct matrilineal line (mt DNA), he is of West African/Central African ancestry of Tikar descent, centered in present-day Cameroon and known for their music. Jones also has European ancestry on his mothers side, including Lanier male ancestors who fought for the Confederacy, making him eligible for Sons of Confederate Veterans. Among his ancestors is Betty Washington Lewis, the sister of president George Washington. Jones is also a direct descendent of Edward I of England, with King Edwards direct ascendents including Rurik, and Polish, Swiss, and French nobility. Jones has never learned to drive, citing an accident in which he was a passenger (at age 14) as the reason. Sources: aaregistry.org/historic_events/view/qunicy-jones-global-artist-and-entertainer en.wikipedia.org/wiki/Quincy_Jones
Posted on: Fri, 14 Mar 2014 15:02:38 +0000
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