Raag Bihaag -- Here both shuddha Ma (ma) and teevra Ma (Ma) are used. However, opinions vary as to which MADHYAM should be given more prominence. The orthodox approach is to give more stress on ma. But, some modern interpretations tend to give importance to the Ma. It is this emphasis on Tivra Madhyam, which has influenced some musicians to assign this raga to Kalyan thaat. Pakad: Pa Ma Pa Ga ma Ga. The powerful stroke play of Pt.Budhaditiya Mukherjee, accompanied by intricate lavkari and melodious volley of sound bytes of this metallurgical engineer turned SITARIST, will definitely keep you glued to his tune. We are almost approaching 9 p.m at night and hence Bihag could be an ideal RAGA to be heard till 2 p.m.
Posted on: Tue, 16 Sep 2014 15:29:29 +0000
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