Theatre Movement International; Rudrayana Ensemble (deCoy Gallerina, Rudradeep Chakrabarti and friends) will be touring, beginning here in the bay area: @ MARC 49, Oakland with OLOLO, Friday Sept 5th, 7pm, (I will be dancing ) #### @ KPFAs Benefit, Berkeley, Saturday Sept 6th, 11:30am (Honey Gatherers) ##### on to Oklahoma for International Treat Councils 40th Anniversary Commemoration Gathering, Sept 10 -12 ##### then to our tribes (Chiricahua Nde’) Sacred Ceremonies and 100th Year of Freedom from Prisoner of War Status Commemoration in Apache, Oklahoma, Friday & Saturday, Sept 19 & 20th:::during these events we will be performing from our Indian meets Indian Cultural Exchange Project etc ##### back to San Francisco:::@ SOMARTS; VISIONS AT TWILIGHT SHOW: October 11–November 8 at SOMArts, with a ticketed opening event on Friday, October 10, 2014, where we will share documentation of this tour and the HISTORICAL events through exhibition of installation work & performances, which will include OLOLO and other friends ##### During October we will be presenting performances and events related to RAMAYANA ###### a bit later we will host an official opening of our Biniidudli Shilpagram Studio/Gallery........see you soooooon!!!! Aaaarooozxxhhaaaa!!! INDIAN MEETS INDIAN CULTURAL EXCHANGE SERIES PROJECT Indian Meets Indian Cultural Exchange Series Project is a bridge connecting the rich 1st Nation (American Indian) diaspora with Indigenous cultures of India (we are in the process of adding other performance themes to our repertoire) a deep/decoy production ‘NDN meets NDN’ ‘INDIAN MEETS INDIAN An Asian Indian comes to America with high expectations and many misconceptions... America; a land protected by the SACRED SPIRITS & ANCESTORS of the 1st Nation (‘American’ Indians) of this land... with prayer and support from all there is healing! A social commentary; this work portrays, in a satirical/dramatic form; a take on the illusions of America. Traditional and contemporary music, voice, traditional 1st Nation dance and drumming, acting, performance art and musical theater aspects. decoy Gallerina (Chiricahua Nde tribe) & Rudradeep Chakrabarti (Asian ‘Indian’) ‘HONEY GATHERERS; DIARY OF AN INDIAN STREET PERFORMER’ A search for hidden sub-altern, rare street performers/performances. Tany; a young man from the honey gatherer family of the Sundarban Forests, forests which Royal Bengal Tigers inhabit, leaves his his small village in rural India to travel by train to Mumbai. When he arrives he at the Gateway of India, Tany showcases his musical train journey by performing with street artists, meeting jugglers, singers, traditional circus artists, clowns, snake charmers etc In this Musical performance,. The performance showcases a diverse diaspora of Indian geography and elements and cultural magic realism. ****Tany goes to Mumbai from a small village in rural India by train. He starts performing at the Gateway of India. In this Musical performance, Tany showcases Indian musical train journey with street artists, meeting jugglers, singers, traditional circus artists, clowns, snake charmers etc. The performance showcases a diverse diaspora of Indian geography and elements and cultural magic realism. A search for hidden sub-altern, rare street performers/performances. COYOTEEZXHA TAILS & Black Coyotess :::: ruff arf Traditional and not, Chiricahua Nde Coyote Tales...performed in an aggressively interactive and halarious style...physical theater with no fourth wall. ROSE; Predisposition to Pure Psyche Rose; predisposition to Pure Psyche is an honoring of prisoners of war and those who continue to survive that beyond that ‘fate’ , for all our ancestors and coming generations. A vast powerful journey of psyche; colonized, decolonized, uncolonized. The Rose interactive performance which travels past to future, pre/post colonization. Th mirage of Rose exisits in the Victorian era America. She is a wealthy man’s concubine, a captive of the colonial Victorian mind. She has lost everything, everyone, herself. Rose wanders with mirror in hand; this mirror reveals the pre and post colonial self. She does not recognize herself in this reflection. Rose gradually returns to ****sacred realm**** which is represented through her divestment of the Victorian attire she has been ****, which signified her enslavement to the invaders/intruders to her homeland and culture. At this point she eminates the sound of pure psyche, freedom. She has returned home, she is now spirit and at peace.
Posted on: Fri, 29 Aug 2014 21:01:32 +0000
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