When wearing the detective hat, I cant help wonder if the whole Lady GooGoo phenomenon is part of the Mindf*** Central criminal activity, too. In the 2005 edit of Bourgeois Rhapsody filed under U.S. Copyright, there were some throwaway lines included for texture -- one was, I just want to be famous or dead already. This was before the whole selfie craze and everyone wanting to be famous. I probably felt it in my bones, just like The towers, they collide in the distance, from 1992-3. The Fame Monster came out in 2008. Then I couldnt help notice the Gaga character had had the kind of UWS [Upper West Side] life it may have looked like I had from the outside, but the criminal network would know better, about how I started working when I was young, and NYU was never even an option to be considered. They just want to take digs at me and engineer others, in every imaginable way. If you look at some of the joint ventures too, how Jeff Koons, who seems extremely overinflated, complements the whole presentation of Gaga as this Art-Pop-Rock-Goddess, but with none of the finesse of a Roxy Music. I wonder just how many frauds, clones or facsimiles have been making millions and millions off me, while Ive been buried alive here, getting from scrap to scrap, going through all manner of tribulation to earn the scraps, then collect them, constantly a slave to the ailments all this constant struggle has engendered. Mercury is in my house of settlements and big business now, so I cant help thinking about this kind of thing. It would be better if I had an investigative team, since objectivity can get difficult. Radio Ga Ga is from 1984, thirty years ago, and you know how many times the number thirty has shown up. Think about I-330 from We, an influence on the novel 1984, and my address, and the yellow dress left outside back in 2005 or so.
Posted on: Wed, 17 Dec 2014 14:53:40 +0000
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