While working as an animator in London in the late 1990s, Suzanne - TopicsExpress

While working as an animator in London in the late 1990s, Suzanne Slatcher spent her lunch breaks at the comics shop, reading a hardcover book on the making of Pixars then-latest film, A Bugs Life. It was like 40 pounds, and it was so expensive I couldnt possibly afford it. But at lunchtime I went and just pored over this beautiful artwork, she says. The craft of this thing…it wasnt like movie effects, it was very much from a high quality tradition. Slatcher worked at a traditional 2D studio, but was teaching herself 3D animation, a skill that eventually got her hired at Pixar itself, where she worked for nine years as a modeler and layout artist.

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