source: pagina12.ar/diario/suplementos/espectaculos/3-29356-2013-07-26.html MUSIC> HUGO GUITARIST RIVAS PRESENTS NEW DISCO The melody is the star In his sixth solo album, Rivas combines talents with Leopoldo Federico, Pablo Agri, Julio Pane, Garello Raul, Luis Salinas and Ernesto Baffa. I try to create from the guitar without losing the roots, otherwise would be called tango sentence. By Cristian Vitale The melody is the star, Hugo Rivas shoots after taking some time to rethink his musical habits. The melody is the star and harmony is the gentleman who accompanies the melody when it enters into a party, developed in an attempt to define what this is his sixth solo album, which bears his name and title in which combines talents with Leopoldo Federico, Pablo Agri, Julio Pane, Garello Raul, Luis Salinas and Ernesto Baffa - all my friends allegations. And in endorsing once again, his mark of Roberto Grela this era. I try to create from the guitar without losing the roots, without losing the issue of stress in the tango. Syncopation and marking must always exist, because if it would still be called tango sentence. Well framed by the aesthetics surrounding a work that, in addition to versions his way as in the case of The Maleva or Bonita incorporates original compositions: some dedicated (My son, his son Ezekiel and a tango for Adolf after guitarist bat, Adolfo Berón) and other musical matrix inspired it forged. Fantasy Night, for example, made at age 16, or Romance, the waltz he recorded a duet with Salinas. With Luis we understand perfectly, determined. , Also made The porteñito ... And if I knew how it was done ... Rivas puts suspense to one of the best parts of the disc achieved, to be presented today and tomorrow at 21 in the Centro Cultural Torquato Tasso (Defensa 1575). Account born with the recording technician about to push the button. An hour before recording the theme Salinas calls me and tells me: Hugo, Im short string viola you get me? ... Then I took him two and he said I like it. We were with the technician about to record and said can play Porteñito without any previously agreed. We recorded it and was, with absolutely nothing rehearse the self-taught, he has concocted much of his music in his barbershop boedo laughs. Do you always so? Depends. In the case of The porteñito well, he left a well-improvised version, but in the composition one has to be very careful, because the first is the main thing: find a nice melody. And after the deal worked, the subtleties, without exceeding the limits, of course, because if the fault is no longer rhythmic tango. And here is where I give all where I try to find a balance: neither simple nor charged. Its something I think a lot, because this is a disc to impose as a composer, say. -Dilema Eternal search a range as a composer in a genre with such a story. -Strong Other. But I like to write and Im always looking. Putting my stamp, passing arrangements. It is doing something different than what was already done, it is very difficult but not impossible. I try to go the way of creating, because it is where I break over me, and not so much for playing. Touching knows a lot. He first learned of the Rivas brothers (his father and uncle). And Anibal Arias and Bartholomew Palermo after. But above all the master Roberto Grela, who unveiled the colorful enigmas Guitar applied to tango. Grela Troilo guitar is defined today, with the newspaper on Monday. With the experience that gave him his future touching Alberto Podesta, Argentino Ledesma, Hugo Marcel, Rubén Juárez, Dino Saluzzi, Virginia Luque, Jorge Vidal, Nelly Vasquez and Leopoldo Federico, with whom he recorded the One Way disk, and who now shares the piece Fantasy night. I really admire them as much as Oscar Aleman, France and Gilberto Tito Puente de los Tres Reyes. As I said before, I really like the melodic. The first thing is the melody respect: I hear a lot Jobim, bossa nova, Frank Sinatra, The Beatles, anyway. Do you always composed from the guitar? Yes, totally. And all the time. What situations inspire? When I make a melody Im much the sad feeling, whenever you can transform it into something joyous. No funeral right? ... Is running from something sad and finish, through rhythm, something cheerful. Looking very much emotion, it does not serve me play by play. Music is not only art, it is not only playing barbarian. You can play fewer notes, and get the feeling of the other. And the feeling is a beautiful melody ... this is so compelling. His last accompaniment was with Peteco Carabajal in its cycle of Buenos Aires Peteco Will had a good test? - (Laughter.) Yes, of course. Peteco I like mainly because hes a good guy and, other than that it has cute ideas for the tango. Oh, and something fundamental, does not scream sing.
Posted on: Fri, 26 Sep 2014 18:59:01 +0000
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