MEDIEVAL BLACK HISTORY- Etymology Variants of the term Moor - TopicsExpress



          

MEDIEVAL BLACK HISTORY- Etymology Variants of the term Moor have been used by many Europeans since ancient times as a general description for indigenous Africans. Contrary to popular belief, the term is not synonymous with Islamic or any specific Arab or African religion, civilization, or ethnicity. The artist, Christopher Wren (1632-1723), specifically entitled this painting, Le Maure, French for The Moor The origin of the English term, Moor, is the Greek word, μαυρο or mavro which literally means black, blackened or charred and has long been used to describe black or very dark things such as, Mavri Thalassa which refers to the Black Sea or mavri spilia which means black cave. Ancient Greeks used the term to describe the complexion of Africans and (even today, some Greeks use mavro to refer to Africans, although in a pejorative manner). One need not be a linguist to see the words evolution from the Greek mavro to the Latin word, mavrvs (actually, mavro in the ablative, singular, masculine Latin form). The English transliteration is Maurus and the plural form is Mauri, specifically used by ancient Romans in reference to Black Africans. Writers in both Greek and Latin specifically used the term as a racial identity. In the Epitome de Caesaribus (390s AD), we learn that Aemilianus was a Moor by race. Procopius of Caesarea (500-565 AD), a Byzantine scholar who wrote in Greek, said in his History of the Wars, beyond that there are men not black-skinned like the Moors... Even through the middle ages, the term (as well as the Spanish, moro, the German mohr, the Dutch moor etc.) continued to be used in reference to Black Africans. In one of the oldest Dutch texts (1300s AD), a Moor was described specifically as black. An image entitled, Habit of a Moor of Arabia, from Thomas Jefferys A Collection of the Dresses of Different Nations (1757-1772) Further proof of the true definition of the Latin term Maurus can be found in early English-Latin dictionaries: - Maurus was synonymous with Moor, negro, and Aethiops in John Eticks A new English-Latin dictionary (1783) - In A new Latin-English dictionary by William Young (1810), Maurus is a black Moor - According to the Ainsworths Latin Dictionary, Morells abridgment by Alexander Jamieson, Robert Ainsworth (1828), Maurus means black Moor The English term Moor also meant Black in English dictionaries and encyclopaediae prior to the 20th century: - Moor meant negro or black-a-moor in A Dictionary of the English Language (1768) by Samuel Johnson - The Encyclopaedia Londinensis (1817) by John Wilkes lists moor as follows: [maurus, Lat. μαυρο, Gr., black.] a negro; a blackamoor. - John Olgilvies The Imperial Dictionary of the English Language (1882), a Moor was a black man or negro Somehow by the 20th century, Maurus and Moor suddenly transformed into Berber and Arab -- a grave contrast to historical precedent. Moors In Ancient and Medieval European History The oldest depiction of St. Maurice in the Cathedral of Magdeburg, Germany The ancient Romans thoroughly documented the lives of indigenous Africans to whom they commonly referred as the Moors. By the 4th century AD, the Roman army heavily recruited Moors for their exceptional skill in battle. One such Moorish general, Aemilianus (207-253 AD) as described in Epitome de Caesaribus (390s AD), was so skilled that he was made emperor in the Roman province of Moesia (Balkan peninsula), albeit for only 4 months time. Other skilled Africans were made Catholic patron saints, such as the popular St. Maurice or Mauritius in Latin as described in the Passio Martyrum Acaunensium (The Passion of the Martyrs of Agaunum) by French bishop St. Eucherius (434-450 AD). According to the text, St. Maurice lived around 286 AD and was believed to be part of the Theban Legion of Egyptian Christians who served in the Roman army under his command. St. Maurices brigade was supposedly decimated for disobeying orders to kill Christians in Roman Helvetia (Switzerland). The oldest known physical representation of him, however, was not created until 1281 AD (a detailed statue now housed in the cathedral of Magdeburg, Germany; shown on the right). A copy of Tabula Peutingeriana, the oldest known Roman map of northwest Africa (300 AD) Neither Aemilianus nor St. Maurice were from so-called Mauretania (Latin: Mavritania) which is erroneously believed to be the name of an ancient Roman province along the northwestern coast of Africa. This particular region was neither called Mauretania in any known ancient literary text nor was it named after the so-called Mauri tribe, as many modern historians believe. Mauri is merely the plural form of the Latin transliteration, Maurus, as mentioned above. The oldest known map of that region (shown at right) shows its name was Tingi (or Tingitana in literature). Instead, Roman Catholic writers of the 5th-9th centuries AD used Mauretania synomymously with all of Africa, not any one particular region. St. Zeno of Verona (unconfirmed date, but likely in Renaissance era), courtesy of David Monniaux A well-known Catholic saint from Africa was Victor Maurus or Saint Victor the Moor, a martyr who supposedly lived around 303 AD (the date of the oldest known depiction of him might not be reliable since the church in which it is found, the Basilica of Saint Victor near Milan, was reconstructed several times and then nearly destroyed in World War II). The life of another African Catholic martyr, St. Zeno of Verona, was first recounted by 7th century Italian author, Coronato who affirmed that Zeno was an African native. By 470 AD, following the fall of the Roman empire, Africans slowly began repopulating southern Europe, and by 711 AD, General Tarik ibn Ziyad al-Gibral, an Islamized African native whence the name, Gibraltar, is derived, led a major invasion beyond that same peninsula. His fortress (shown below) is the earliest known medieval castle in Europe, built centuries before those of the Loire Valley in France. According to legend, the phrase, Thank heaven for 711 comes from the overwhelming sentiment of relief experienced when Moorish civilization permeated the Iberian peninsula (Spain, Portugal and Andorra) and Southern France and replaced primitive Visagothic feudal serfdom. For over 750 years, the Moors would lead Spain into an unprecedented era of freedom of association, religion, education and enterprise. Moorish Castle overlooking Gibraltar (700s AD) A depiction of Moorish noblemen playing the board game commonly known as chess and one playing a harp in Alfonso Xs Libro de los Juegos (Book of Games, 1283 AD) The Battle of Roncevaux (778 AD) between Roland (left) and Marsile (right) in the Song of Roland, the oldest French book held in the French National Library By 800 AD, the Franks began efforts to contain the spread of Moorish society to the south of the Pyrennees mountains. Much of the literature, lore and art that followed centered around the Franks efforts to defeat the Moors. For instance, the Song of Roland (French, La Chanson de Roland, 1140-1170 AD), the oldest known French literary work, describes Frankish Charlemagnes (742-814 AD) long campaign in southern France. The texts account of a Moorish leader named Marsile, is as follows: Although Marsile has fled, his uncle Marganice remains, he who rules Carthage, Alfrere, Garmalie, and Ethiopia, an accursed land. He has the black people under his command, their noses are big and their ears broad, together they number more than fifty thousand. They ride fiercely and furiously, then they shout the pagan battle cry. Then another African general whom the Franks called Abisme is described as follows: In the forefront rides a Saracen, Abisme...He is as black as molten pitch. Wild Men and Moors, a tapestry (1350-1400 AD) depicting the ruling Moorish Strasbourgois of France/Germany (Boston Museum of Fine Arts) A Moor in Spain, portrayed in a Cantiga (1200s AD) One of the oldest images of the crowned Freising Moor c. 1316 AD There were also several accounts of Moors in northern and central Europe, including that of the so-called Freising Moor. The oldest known use of his image on any coat of arms was created around 1300 AD by Bishop Emicho of Wittelsbach in Skofja Loka, Slovenia. The town of Freising, Germanys oldest known coat of arms dates to 1362, which included the head of the Moor along with the bear he supposedly defeated while traveling with Bishop Abraham of Freising. The legend says that Freisings Moor was a servant, however, the crown atop his head may refute said legend. The archdiocese of Munich, Pope Benedict XVI, and several Bavarian municipalities continue to use depictions of the Freising Moor on their official coats of arms, a testament to the presence and authority of Africans in medieval Europe. Later, Maurus (in the form of Maurice, Moritz and Morien, etc.) became synonymous with not only the aforementioned, but numerous blacks of high regard. Sir Morien, for example, was a knight thoroughly described in the romance novel, Lancelot-Compilatie (the Hague Lancelot Compilation), the Dutch version of Lancelot (1300s AD) as all black....his head, his body, and his hands were all black, saving only his teeth. Morien is the son of Sir Agloval and a Moorish princess whom Agloval met in Africa during his quest to find the holy grail. Sir Morien is also described as a bold knight who experiences racism while seeking transportation overseas to reunite with his father, saying None will take me over the water since I am a Moor. In the 1490s AD, Catholic rulers had begun to rid the Iberian Peninsula of much of its large Islamic Moorish population (as well as other people who practiced non-Christian religions such as Judaism). After waging a long war on Granada, Spains Ferdinand V and Isabella I seized control of that region in 1492, promising to keep religious freedom. However, Cardinal Francisco Jimenez Cisneros began a large-scale Inquisition in 1499, including mass coversions to Christianity, persecutions, book burnings, and closings mosques and synagogues, and by 1502 Ferdinand and Isabella expelled all non-Christians, which included many Moors. Portugals King Manuel also expelled non-Christians, many of whom were Moors, by royal decree in 1496. The result was that some relocated to other parts of Europe where they became high ranking nobility as their knowledge and skill continued to be highly valued. Although most Moorish families of nobility (the origin of the term Black Nobility) intermarried with Europeans, their surnames continued to link to their heritage. Family names such as Moore, Morris, Morrison, Morse, Black, Schwarz (the German word for black), Morandi, Morese, Negri, etc. all bear linguistic reference to their African ancestry. For example, the oldest Schwarz family crests even depict the image of an African, or Schwarzkopf, (black head in German). Other families and municipalities adopted similar coats of arms which continue to exist in some form, demonstrating the important role Africans played in European history. Copyright 2011 Ta Neter.org
Posted on: Sat, 22 Mar 2014 01:15:47 +0000

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