More from San Fran! The program also included Quint performing her third (and most recent) sonata for violin and piano. Following a sonata da chiesa structure that only very loosely reflected back on the seventeenth century, this piece served up the darkest rhetoric of the evening. (The opening Adagio is marked Adagio tragic.) If Quint was only just beginning to get to know this music, he certainly did not show it. His accounts of the intensity of the individual movements and the manic quality of the mood swings from one movement to the next seized the attention from the opening gesture and would not let go until the final cadence. There was no doubt that Auerbach and Quint had a rich history of past collaborations in the performance of her music, and this sonata performance was as exciting as the “Triptych” trio performance. examiner/article/lera-auerbach-brings-another-program-of-her-compositions-to-sfp
Posted on: Thu, 22 Jan 2015 22:58:01 +0000
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