Playlist from todays show… Show 382, Feb. 15, 2014 ---FIRST HALF HOUR--- :04—Elgar: “C.A.E.,” from “Enigma Variations,” track 5, 1:36, John Eliot Gardiner, Vienna Philharmonic [DG 463 265-2]. --SEGUE-- :06—Elgar: “C.A.E.,” from “Enigma Variations,” track 12, 2:02, Ashley Wass, piano [Naxos 8.570166]. :08-- Prokofiev: March from “The Love of Three Oranges,” track 18, 1:36, Neeme Jarvi, Scottish National Orchestra [Chandos 8729]. --SEGUE-- :10—Prokofiev: March from “The Love of Three Oranges,” track 5, 1:42, Boris Berman, piano [Chandos 8851]. :12—Duke Ellington: “Come Sunday,” track 6, 2:39, Nigel Kennedy, violin; Alec Dankworth, bass [EMI 47621 1]. --SEGUE— :15—Duke Ellington: “Come Sunday,” track 3, 5:26, JoAnn Falletta, Buffalo Philharmonic [Naxos 8.559737]. :22—Debussy: “Golliwog’s Cake Walk,” track 5, 3:02, Il Salonisti [London 425 200-2]. --SEGUE— :25-- Debussy: “Golliwog’s Cake Walk,” track 10, 2:55, Isao Tomita, synthesizer [RCA 5660-2]. ---SECOND HALF HOUR--- :30—Holst: Scherzo from “A Moorside Suite,” track 1, 3:03, David Lloyd-Jones, Northern Sinfonia [Naxos 8.555070]. --SEGUE-- :34—Holst: Scherzo from “A Moorside Suite,” track 7, 3:25, David Honeyball, London Brass Virtuosi [Hyperion 66189]. :38—Moussorgsky/Maurice Ravel: “Promenade” from “Pictures at an Exhibition,” track 1, 1:27, Leonard Slatkin, Saint Louis Symphony [MusicMasters 10014]. :40--Moussorgsky/Leonidas Leonardi: “Promenade” from “Pictures at an Exhibition,” track 6, 1:31, Leonard Slatkin, Saint Louis Symphony [self-pub.]. :42—Moussorgsky/Maurice Ravel: “Market Place,” from “Pictures at an Exhibition,” track 11, 1:33, Leonard Slatkin, Saint Louis Symphony [MusicMasters 10014]. (DISABLE SINGLE-TRACKING AND LET IT RUN INTO NEXT TRACK) :44—Moussorgsky/Maurice Ravel: “Catacombs,” from “Pictures at an Exhibition,” track 12, 1:38, Leonard Slatkin, Saint Louis Symphony [MusicMasters 10014]. :46--Moussorgsky/Mikhail Tushmalov: “Promenade” from “Pictures at an Exhibition,” track 17, 1:18, Leonard Slatkin, Saint Louis Symphony [self-pub.]. (DISABLE SINGLE-TRACKING AND LET IT RUN INTO NEXT TRACK) :48-- Moussorgsky/Leopold Stokowski: “Catacombs” from “Pictures at an Exhibition,” track 18, 1:57, Leonard Slatkin, Saint Louis Symphony [self-pub.]. --SEGUE-- :50—Moussorgsky/Keith Emerson: “Pictures at an Exhibition,” excerpts, tracks 1+ 2 (DISABLE SINGLE-TRACKING!!!), 1:57+4:16=6:13, Emerson Lake and Palmer [Rhino 72225-2]. --SEGUE-- :57—Meade Lux Lewis: “Honky Tonk Train Blues,” track 11, 3:11, Keith Emerson, piano w/members of the London Philharmonic, 1974, [Sony 84864-2]. The original was solo piano; this is really an updating of the Bob Crosby band’s arrangement of it. ---THIRD HALF HOUR--- :04—Thelonious Monk: “Crepuscule with Nellie,” track 3, 2:40, Kronos Quart w/Ron Carter, bass [Landmark 32011]. :07—John Williams: Love Theme from “Superman,” track 3, 6:12, Nic Raine, City of Prague Philharmonic [Silva 1210]. :14—Richard Strauss: “Death and Transfiguration,” excerpt, track 3, 23:58 but cue to 18:32/-5:26, Eduardo Mata, Dallas Symphony [RCA 14353]. :20—Maurice Ravel: “Daphnis et Chloe,” excerpt, track 4, 5:24 but cue to 3:11/-2:12, James Levine, Vienna Philharmonic [DG 415 360-2]. :23—Stan Kenton: “Artistry in Rhythm,” track 1, 3:18, recorded 1943, band including Art Pepper, Lee Konitz, Bud Shank, Kai Winding and Maynard Ferguson [Capitol 31504]. :26—Fats Waller, arr., Thelonious Monk: “Honeysuckle Rose,” track 8, 5:30, Thelonious Monk, Oscar Pettiford and Art Blakey [Smithsonian 039]. Consider seguing to this early to fit it all in. Listen for bassist Pettiford quoting “In a Mist.” ---FOURTH HALF HOUR--- :30—Percy Grainger: “Shepherd’s Hey,” track 10, 2:14, Kenneth Montgomery, Bournemouth Sinfonietta [Chandos 6542]. --SEGUE— :32-- Percy Grainger: “Shepherd’s Hey,” track 3, 2:10, Gene Corporon, North Texas Wind Symphony [Ioda 06562]. :34—Prokofiev: “Morning Serenade” from Act III, “Romeo and Juliet,” track 8, 2:29, Nancy Allen, harp [EMI 69070-2]. :37-- Prokofiev: “Morning Serenade” from Act III, “Romeo and Juliet,” DISC B, frontloaded, track 22, 2:41, Andre Previn, members of the London Symphony [EMI 68607-2]. Original is mostly mandolins, some strings and trumpets. (TRICK QUESTION: WAS THIS COPIED FROM PATHETIQUE SONATA?) :40—Beethoven: Sym. No. 10, beginning, notes fleshed out by Barry Cooper, track 1, 20:01 but use about a minute, Wyn Morris, London Symphony [MCA 6269-2]. (NOT EXACTLY: BEETHOVEN HIMSELF WAS REUSING THE IDEA) :42—Manuel Da Falla: “Dance of Terror,” track 12, 2:16, Friedrich Herweg and Yoshi Soga, guitars [Motette 30151] --SEGUE— :45—Manuel Da Falla: “Dance of Terror,” track 3, 2:15, Rafael Fruhbeck de Burgos, New Philharmonia Orchestra [Decca 289 466 128-2]. :47—Jimi Hendrix: “Purple Haze,” track 14, 3:00, Kronos Quartet [Nonesuch 79111-2]. --SEGUE-- :50—Jimi Hendrix: “Purple Haze,” track 1, 2:28, Frank Zappa & the Mother of Inventions [Zappa 38812]. Fade before end of track or disable single-tracking and face at the beginning of track 2. :53—Miles Davis: “So What,” track 10, 5:05, Tennessee Tech Tuba Ensemble [Mark Records 1800].
Posted on: Sat, 15 Feb 2014 17:28:22 +0000
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