Strong achieved fame with the documentary film about their history, which has become an object of worship The excellent performance, however, would not be the same if it was not topped by huge smiles Lips and rhythmics and extremely precise Reiner and Robertson, who despite being just the ranks of Anvil seems to have firmly the reins of his instrument and does not suffer particularly of inferiority complexes. English Translation: Things have started to run well for Anvil . Strong achieved fame with the documentary film about their history, which has become an object of worship, the Canadian band no longer has to travel by train to reach the places where the concerts will be held and can move from location respectable part of an international tour. The transition from Brescia is the second in a few weeks to Italy (in fact there was a date in Turin at the end of November) and, as has happened for all the times in which Lips and Robb Reiner, accompanied this time by new signing Chris Robertson, have made a transition in our country, we get to watch a show memorable. The Anvil held the bank for over an hour and a half, presenting to their audience a repertoire that crosses with great ease the more than thirty years of what is now a power trio, as always built around the golden couple composed of voice and guitar by Lips and the war machine that is Robb Reiner behind the battery. Reiner then grant a long solo at the end of Swing Thing instrumental piece from Juggernaut Of Justice that concentrates in a few minutes all the explosive charge that the band brings along. It starts with another instrumental piece, the rhythmic March Of The Crabs, and continue in the path of the historic career of Anvil going from a classic like Mothra, during which some of these mimic the beating of wings of the moth giant Japanese tradition of science fiction, to newer songs like This Is Thirteen, before which the usual Lips cites loved Black Sabbath. During Mothra, among others, the band indulges in a long instrumental jam, where Lips is tick off the famous dildo (this time the appearance of metal ...) with which the guitarist teases the strings of his instrument adjusting the speed of the vibration of the object of pleasure: a number that in the early 80s had sparkled and that even today continues to be a hallmark of that office and the funny irreverent that has always characterized the Anvil. In all cases, the reaction is always to an enthusiastic audience and cheering, he knows the songs perfectly, even when the band performs the Thumb Hang which dates from the earliest period of activity of the band, then officially registered in This Is Thirteen , which refers to an ancient system of torture. The space is reserved for the final two great classics like Metal On Metal and Forged In Fire, with the promise of a return to Europe soon, since for 2015 is planned to publish a new album for band. The excellent performance, however, would not be the same if it was not topped by huge smiles Lips and rhythmics and extremely precise Reiner and Robertson, who despite being just the ranks of Anvil seems to have firmly the reins of his instrument and does not suffer particularly of inferiority complexes. Of the rest, and do not need to see the documentary about them to realize, what characterizes the life of Anvil, on and off stage, is their enormous consistency, the ability to have believed and continued until at the bottom of their dream and their incurable optimism. All qualities that you should never take for granted. Setlist: - March Of The Crabs - 666 - School Love - Badass Rock n Roll - Winged Assassins - On Fire - This Is Thirteen - Mothra - Thumb Hang - Swing Thing - Hope In Hell - Eat Your Words - Metal On Metal Encore: - Forged In Fire - Running metallus.it/concerti/anvil-live-report-della-data-di-brescia/
Posted on: Mon, 22 Dec 2014 13:48:59 +0000
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