Geometric Abstraction Geometric contemplation responds on the idea that natural shaping is to be understood as a permeating metaphysical archetypal principle which governs and control universal evolution. The primary geometric forms are considered to be decreased at a station of the creative thoughts. The primary geometric forms are considered to be decreased sensation from creative thoughts of God. In working with primordial archetypical symbols the work is one of discovery and development of the process of deconstruction towards full character while minimal in expression. Literally and metaphorical the elements to work with are spirals, 60 degrees, the triad, parabola, gravity, light, stresses materials, etc From the plane, be angled curved, juxtaposed, synergistically interdependent, in tension, fatigued to resistance, these curve fascination comes from years of contemplation of water movements, textural contours, galaxy movements, synergy and growth patterns. A language where pure geometry finds power in contextual expression. With the creative process comes an intrinsic phenomenological force that urges to process and resolve. As one adjusts to the subtle rhythms in this body of work, there is a palpable , shift in consciousness and perception as the aesthetic experience becomes a meditative one. Our consciousness mirrors the process and creates a perception of reality which we constantly adapt to and interpret within an ongoing cycle of chaotic expansion of limited language. Yet beneath this continuum of momentum thoughts and physical expression there lies simple and pure building blocks to sustain life’s phenomena ongoing . ICL
Posted on: Mon, 17 Mar 2014 19:36:22 +0000
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