Here is a curious historical record and held a family. The great Russian pianist Emil Gilels and his daughter Elena face two masterpieces, Concerto for 2 Pianos by Mozart and the wonderful Fantasia in F minor for two pianos by Schubert. For some, the Mozart of Gilels may seem a little slow, we are accustomed to with the most current readings. Gilels belonged to the Russian school of piano in the first half of the twentieth century, one of the most important twentieth century, where it came from people like Richter, Horowitz, among others. His reading will obviously be more romanticized than those pianists as Christian Zacharias made, or Van Immerseel historically researched and interpreted. Anyway, little details that do not detract from this great meeting Gilels and Böhm, my favorite Mozartian conductor. Two of the biggest names in twentieth-century stage together Ah, I was forgetting to comment on the Fantasy schubertiana, a masterpiece of execution. The romantic verve of Emil Gilels come to the fore with full force, and would say that yes there found him in his element. Partnering with daughter reveals a unique complicity that there could be between the two. Elena had as a teacher one of the greatest pianists of the twentieth century and has learned the lesson well. https://youtube/watch?v=0TQgXlsf3k0
Posted on: Tue, 11 Nov 2014 22:33:43 +0000
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