The Philosophers Stone: How to Transmute the Elements by Engineering the Geometry of Standing Waves ~ A series of experiments has been carried out in Japan proving that chickens fed a diet deficient in calcium produced, as the end product of their biological processes, more calcium than they were given to live on. The conclusion is that the chickens created the calcium they needed by transmuting potassium. This discovery challenges the basic concepts of science, and the more critically a discovery challenges the foundations of scientific belief, the less it is examined at all. But if potassium can be transmuted into calcium (and by chickens, no less), we had best construct a new model of the atom to explain how this might be possible. So lets get started, at the level of the subatomic particles that seem to be giving theorists so much difficulty. After observing that light travels in straight lines to cast sharp shadows, Isaac Newton deduced that light beams could exist only if radiant energy possessed the characteristics of atomic particles. But Sir Isaac went on to pass beams of light through prisms observing the spectrum of colors projected. The fractioning of light into colors is possible only if radiant energy possesses the properties of waves. The problem became a matter of determining whether light was particulate or wavy in nature. Theorists decided that the ultimate elemental substance was both particle and wave, depending upon what it happened to be doing with itself when observed. Then realists proceeded to advance science without caring what light was. Nevertheless, the problem for the philosophers remains. The properties of particles categorically exclude the properties of waves, so how is it possible for an elemental substance, whatever it is, to manifest both properties in successions? After the greatest scientists since Newton have given up, all a lay person has to do is take a couple of cartons of quarter-inch ball bearings to a billiard parlor, rent a table, and spread balls on the baize. After you have managed to arrange them with a mathematically random distribution, you will see that each ball is equally distant from its neighbours Absolute chaos is identical to perfect order. Now try to rearrange the balls so that groups are allowed, but the groupings are mathematically random. Eventually the pattern formed by the balls will follow a density of distribution described by the Bell Frequency Curve of random statistics. The Bell Frequency Curve is a sine-wave form; on a plane surface it is manifest as regular clusters, with small groups of roughly equal numbers being roughly equal distances apart. The smaller groups congregate into larger groups until the entire field can be described as a single sine-wave form of low frequency. Once again, you prove that utter disorder is identical to total organization. If the balls are small enough and numerous enough in relation to the area you have to spread them on, you will discover the aggregations of particles will assume the pattern of a spiral generated by phi, the ratio between successive numbers in a series extended by adding consecutive numbers together; it is the ratio of 1:1.1618. All natural growth eventually fallows the form of a spiral generated by a phi ratio, from the distributions of atoms to the distributions of stars in galaxies. (In other words, the spiral structure of gas clouds in interstellar space is not necessarily due to the process of gravitational contraction and centrifugal force, as proponents of the Nebular Hypothesis of stellar generation would have us believe. The spiral structure is an inevitable consequence of random distribution.) You can perform this experiment at less cost by making pencil dots on a large piece of paper, but you will be bothered by constant erasing until you get the dots distributed properly. With pencil and paper, however, you can perform the converse experiment. Draw lines at random, each line representing a wave front. If you have enough lines on enough paper, and enough randomness, the result will look exactly like the random distribution of balls on a billiard table, as the intersections of lines form groupings of density. Whether you perceive a ball to be an atomic particle or an aggregation of particles depends upon the scale of your frame of view. Whether you perceive an aggregation to be a particle or a wave depends upon the scale of your resolution. At the limit of resolution, all structures register on all instruments of measurement as particles. And all structures that cannot be resolved sharply by the instrument of measurement register as waves. So the nature of the ultimate element is determined by the instruments of measurement; all we can really know about it is what our instruments measure. Whether you choose to interpret reality as waves or particles depends entirely on what you want to do. The manifestations of energy - i.e., motion - yield measurements as waves; the manifestations of static material yield measurements as particles. As it happens, everything is moving. Therefore, all events yield accurate measurements only as wave functions. The use of the laser for measurement establishes the wave as the elemental unit of space, time, motion, and energy. As when Pythagoras studied music, harmonics is still taught from the model of a vibrating string. A plucked string vibrates back and forth as a unit, forming a standing-wave structure, emitting vibrations through the air to be heard as a musical sound. The tone is the fundamental frequency of the standing wave. As the string vibrates as a unit, it also divides itself into two halves along its length, and each half vibrates as two individual standing waves independently of the fundamental wave. The frequency of the half lengths is twice the frequency of the fundamental, and the sound emitted is the second harmonic overtone, an octave higher than the fundamental. And at the same time as the string vibrates as a unit and as independent halves, it also divides its length into three equal parts, each third vibrating independently to emit a sound three times the frequency of the fundamental, called the third harmonic overtone. At the same time, the string also divides itself into fractional lengths of quarters, fifths, sixths, and so on to the elemental molecular unit of vibration, generating successively higher harmonic overtones all the way. The distribution of energy among the overtones determines the unique sound characteristic of each instrument. This is the way harmonics is taught...
Posted on: Sat, 25 Jan 2014 13:22:12 +0000
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